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&#13;
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Documentación&#13;
Inv. FPK: “1232 Sin título -″- -″- -″-&#13;
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AXS, primera idea para Pan tree, en Papeles sueltos&#13;
(Inv. FPK 1796 A), AD-FPK.&#13;
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Exposiciones&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuais do Mercosul,&#13;
Porto Alegre¸ Fundacão Bienal de Artes Visuais&#13;
do Mercosul, 2 de octubre - 30 de noviembre de 1997.&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuales del&#13;
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Xul Solar. El sol herido, Málaga, Palacio Episcopal, 5 de&#13;
junio - 5 de julio de 1998 / Sevilla, Centro Andaluz de&#13;
Arte Contemporáneo, julio - agosto de 1998, reprod.&#13;
p. 55.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 102.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
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Sin información&#13;
Documentación&#13;
Inv. FPK: “1175 Pan árbol 1954 -″- 36 x 24 1/2”.&#13;
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Xul Solar: the Architectures, Londres, Courtauld&#13;
Institute Galleries, 1994, n. 38, reprod. byn, p. 44.</text>
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“AS”.&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
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En el reverso, sobre el cartón: “574” [MRC]; “SIN TÍTULO&#13;
(PILARES EL DOBLE MÁS ANCHOS [sic] dice arriba&#13;
izq s/ año” [anónimo].&#13;
Documentación&#13;
Inv. FPK: “574 S/T. - - 16 x 21”.</text>
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c.i.d. “XUL” y “1926”; a.i.d. “X. 1926”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Subastas&#13;
Subasta súper especial. Grandes maestros de la plástica&#13;
argentina. Pinturas y esculturas. Alhajas de estilo. Platería.&#13;
Marfiles. Muebles, Banco Ciudad de Buenos Aires,&#13;
Buenos Aires, 31 de octubre, 1996, lote 76, reprod. s.p.&#13;
Observaciones&#13;
Al salir a subasta en 1996 se indicó que la obra poseía&#13;
un certificado de autenticidad otorgado por Natalio&#13;
Jorge Povarché.</text>
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e.i.d. “Xul 1948”&#13;
Inscripciones de terceros&#13;
En el reverso: etiqueta pegada “Certificado de autenticidad”,&#13;
de Galería Rubbers, firmada por Natalio J.&#13;
Povarché.&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01 - 05]: listado II, n. 151.&#13;
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Aires], 1949-1966: p. 5, 7 y 137.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [010] y [032].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 37, 41 y 51.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”: p. 13.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 4.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja II, n. 151.&#13;
Exposiciones&#13;
XVIII Salón de Arte de La Plata, La Plata, Museo de Bellas&#13;
Artes, Ministerio de la Gobernación de la Provincia&#13;
de Buenos Aires, Subsecretaría de Cultura, 24 de&#13;
mayo al 23 de junio, 1949, n. 147.&#13;
A. Xul Solar, Buenos Aires, Galería Samos, 18 de julio -&#13;
2 de agosto de 1949 [fuera de catálogo].&#13;
Obras maestras de la pintura argentina 1, Fundación&#13;
Lorenzutti, Salas Nacionales de Exposición, 5-21 de&#13;
julio de 1972.&#13;
Xul Solar: 1884 [sic]/1963, Buenos Aires, Galería Rubbers,&#13;
mayo de 1976, n. 20.&#13;
Notas&#13;
Según el listado de obras incluido en el catálogo&#13;
publicado en ocasión de la exposición en Samos, el&#13;
artista exhibió 25 obras y en el mismo catálogo se&#13;
reprodujeron diecinueve pinturas. No obstante esto,&#13;
sabemos a través de los documentos de referencia&#13;
histórica –[Exposiciones 1920-1951], p. 5-7– que incluyó&#13;
nueve obras fuera de catálogo, además de que&#13;
entre las obras reproducidas se incluyeron cinco que&#13;
no fueron expuestas.&#13;
En los distintos documentos existentes en el AD-FPK,&#13;
a veces Micaela Cadenas de Schulz Solari incluye otra&#13;
obra que no ha podido ser identificada, aparentemente&#13;
con el mismo título y medidas que la identificada&#13;
en esta entrada, aunque en un caso aclara “ac.&#13;
byn”, esto es, acuarela blanco y negro, lo que indica&#13;
que en su paleta se trata de una obra limitada al blanco&#13;
y al negro, como sucede con Cuevas que es del mismo&#13;
año. Hasta donde sabemos, ambas obras fueron&#13;
vendidas a distintos coleccionistas de Buenos Aires,&#13;
la catalogada aquí al mismo que adquirió en 1978 Ángel&#13;
en vuelo (Cat. 594).</text>
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            <description>The nature or genre of the resource</description>
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                <text>Firma e inscripciones&#13;
a.i.d. “X.”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Exposiciones&#13;
Xul Solar: Works 1916-1963, Estocolmo, Moderna Museet,&#13;
mayo - agosto de 1998, reprod. s.p.&#13;
Xul Solar, Mendoza, Museo Municipal de Arte Moderno,&#13;
10 al 29 de abril, 2001, s.p.&#13;
Feria de artistas en Galería Rubbers, Buenos Aires, Galería&#13;
Rubbers, julio 2001.</text>
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          <element elementId="41">
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Acuarela sobre papel&#13;
16 x 24 cm</text>
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          <element elementId="87">
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                <text>Número de catálogo razonado: 0445</text>
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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          <element elementId="79">
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            <description>The material or physical carrier of the resource.</description>
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a.i.i. “X. 1921”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [039] y [041].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 60, 64 y 70.&#13;
Registro fotográfico histórico&#13;
Anónimo, reproducción de A, Z, 1978, copia de época,&#13;
gelatina de plata, 9,2 x 12 cm, Copias de época certificadas&#13;
(FIAC 78), FO-19/1 a 32, n. 2, AD-FPK.&#13;
Exposiciones&#13;
Xul Solar (1887-1963) OEuvres de 1915 à 1962, París,&#13;
Grand Palais / Galería Rubbers / FIAC 78, Art Contemporain,&#13;
20-29 de octubre de 1978, n. 5.&#13;
Xul Solar, Buenos Aires, Galería Rubbers, abril-mayo&#13;
1980, n. 3, reprod. byn, p. [2].&#13;
Subastas&#13;
Subasta súper especial. Grandes maestros de la plástica&#13;
argentina. Pinturas y esculturas. Alhajas de estilo.&#13;
Platería. Marfiles, Banco Ciudad de Buenos Aires,&#13;
Buenos Aires, 11 de julio, 1996, lote 61, reprod. p. 18.&#13;
Observaciones&#13;
Al salir a subasta en 1996, se indicó que la obra era&#13;
acompañada por una foto-certificado de autenticidad&#13;
otorgado por la Fundación Pan Klub, y una copia&#13;
del mismo se encuentra en el AD-FPK.</text>
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[anónimo]; “499” [anónimo]; “1.377” [MRC].&#13;
Obras relacionadas&#13;
Sin título, (Cat. 232)&#13;
Documentación&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 3.&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 34 y 77.&#13;
Inv. FPK: “1377 Obseso 1920 acuarela 7,5 x 21”.&#13;
Exposiciones&#13;
Xul Solar: acuarelas y témperas, Buenos Aires, Galería&#13;
Rubbers, mayo de 1975.&#13;
Xul Solar 1887-1963, Buenos Aires, Galería Rubbers,&#13;
abril-mayo de 1984.&#13;
Observaciones&#13;
En el listado de obras presentadas en la Galleria Arte,&#13;
aparece un Ossesso, identificada con el n. 57, dentro&#13;
de las obras pintadas al óleo y esto plantea la posibilidad&#13;
de que exista o haya existido una pintura realizada&#13;
con esa técnica que no ha llegado a nosotros,&#13;
pero que por su título es probable que tuviese alguna&#13;
relación con la catalogada aquí.</text>
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            <elementTextContainer>
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Acuarela y gouache sobre papel montado sobre cartulina&#13;
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                <text>Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “304 Frascos 1917 acuarela&#13;
11,5 x 14”.&#13;
Exposiciones&#13;
Xul Solar: the Architectures, Londres,&#13;
Courtauld Institute Galleries, 1994,&#13;
n. 1, fig. 1, reprod. byn, p. 36.</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="67845">
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            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="67846">
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            <description>An account of the resource</description>
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Acuarela sobre papel&#13;
17,4 x 12,6 cm&#13;
&#13;
10b&#13;
Sin título, [1913]&#13;
Acuarela sobre papel&#13;
12,6 x 17,4 cm</text>
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              <elementText elementTextId="67738">
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              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="67739">
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              </elementText>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="67740">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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21,7 x 16,5 cm</text>
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              </elementText>
            </elementTextContainer>
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            <elementTextContainer>
              <elementText elementTextId="67717">
                <text>Inscripciones de terceros&#13;
En 1897 b: “1024” [MRC].&#13;
Documentación&#13;
1897 a, Inv. FPK: “1024 Sin título - -&#13;
21 1/2 x 16”.</text>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
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              </elementText>
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Documentación&#13;
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