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                <text>Solicitando un turno al Archivo Documental a través de Candelaria Artundo, responsable de Archivo: documentos@xulsolar.org.ar o info@xulsolar.org.ar tel.: +54 (11) 4824 3302&#13;
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                <text>Solicitando un turno al Archivo Documental a través de Candelaria Artundo, responsable de Archivo: documentos@xulsolar.org.ar o info@xulsolar.org.ar tel.: +54 (11) 4824 3302&#13;
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                <text>Archivo Documental. Fundación Pan Klub - Museo Xul Solar</text>
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                <text>AXS_Textos sobre vocabulario, panlengua y otros. Caja 1, Carpeta 3</text>
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Tinta sobre papel montado sobre cartón&#13;
17 x 22,3 cm, montaje 24,3 x 29,4 cm</text>
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                <text>Firma e inscripciones&#13;
a.i.i. “43/ XUL”; “1955”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(94) AMPU, TAMUFET,&#13;
DOGO, 1955, 17 x 22 tinta” [MCSS]; “298” [MRC].&#13;
Documentación&#13;
Inv. FPK: “298 AMPU, TAMUFEI, DOGO 1955 -″- 17 x&#13;
22”.</text>
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                <text>Documentación:&#13;
Micaela Cadenas de Schulz Solari, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: Listado II, n. 40; Listado IV, n. 2 y Listado V, n. 89.&#13;
Micaela Cadenas de Schulz Solari, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires];  1949-1966: p. 37, 138, 200 y 241.&#13;
Micaela Cadenas de Schulz Solari, [Documentos relativos a exposiciones, venta de obras, coleccionistas]: 1963-1984: n. [008], n. [011].&#13;
Micaela Cadenas de Schulz Solari, “Muestras póstumas de A. Xul Solar”, [Buenos Aires]: 1963-1984: p. 11, 18, 22, 37, 39, 45 y [56 bis]. &#13;
Micaela Cadenas de Schulz Solari, [Diapositivas y movimientos de obras], [Buenos Aires]: 1964-1983: “Diapositivas de Xul Solar”: p. 5 y 7; [Ventas a coleccionistas]: p. 4.&#13;
Micaela Cadenas de Schulz Solari, [Detalle de carpetas de obras], [Buenos Aires]: posterior a 1963: p. 6.&#13;
&#13;
Fotográfica:&#13;
Diapositivas de obras realizadas por encargo de Micaela Cadenas de Schulz Solari, 1967, cajas I-III y V: Caja II - n. 40; Caja III - [n. 169] y Caja V - n. 89.&#13;
Anónimo, reproducción de Anunciación, copia de época, gelatina de plata, 11,5 x 8 cm, Copias de época posteriores a 1963: sin identificar, FO-27/ 1 a 23, n. 01, AD-FPK.&#13;
Obras: copias de época, AD FPK FO-30/ 1 a 24, n. 10. &#13;
&#13;
Exposiciones &#13;
Homenaje a Xul Solar: acuarelas, témperas, óleos, Buenos Aires, Galería Candilejas, 3 al 31 de mayo de 1965, n. 2.&#13;
III Bienal Americana de Arte. Exposición homenaje a Xul Solar, Córdoba, Museo Provincial de Bellas Artes Emilio Caraffa, octubre de 1966, n. 22. &#13;
Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, 15 de noviembre, 1967, n. 3.&#13;
Obras maestras de la pintura argentina 1, Fundación Lorenzutti, Salas Nacionales de Exposición, 5-21 de julio de 1972, &#13;
Xul Solar: acuarelas y témperas, Buenos Aires, Galería Rubbers, mayo de 1975, n. 2 (con el título Anunciación (Zoagli).&#13;
Xul Solar 1887-1963, París, Musée d’Art Moderne de la Ville de Paris, 20 de octubre-27 de noviembre de 1977, n. 2.&#13;
Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers, 1978, n. 2, reprod. byn.&#13;
I Bienal Latino Americana de São Paulo, Parque Ibirapuera, noviembre-diciembre, 1978.&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuales del Mercosur, Porto Alegre, Buenos Aires, Fundación Banco Patricios, 31 de julio - 23 de agosto de 1997, n. [1].&#13;
Xul Solar (1998-1963). I Bienal de Artes Visuais do Mercosul, Porto Alegre¸ Fundacão Bienal de Artes Visuais do Mercosul, 2 de octubre - 30 de noviembre de 1997, n. [1]. &#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, n. [11], reprod. p. 12.&#13;
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&#13;
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                  <text>La subserie esta conformada por carpetas de recortes, elaboradas por Xul Solar. Las mismas, organizadas temáticamente contienen reproducciones de textos y de imágenes, extraídos de diferentes publicaciones, nacionales (Alianza, Antinazi, Crítica, Cabildo, El Federal, El Mundo, El Pampero, La Época, La Nación, La Prensa, La Razón, La Vanguardia, Voz del Plata) e internacionales (Il Corrieri, Life, Newsweek, The New York Times, The Nation, Time).&#13;
Por su diversidad reafirman los múltiples intereses del artista: arte, religión, lingüística, literatura clásica y contemporánea, filosofía, teosofía, antroposofía, astrología, tecnología, naturaleza, zoología, botánica, arquitectura, urbanismo, alfabetos, arqueología, música, modas, etnografía, gente, política internacional e iberoamericana, tecnología de guerra (barcos, aviones, armas, etc.), industria, medicina, alimentación y otros.  </text>
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              <description>A list of subunits of the resource.</description>
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                  <text>Xul Solar tenía todas sus carpetas clasificadas temáticamente, según la información que contenían y, algunas de ellas, también cronológicamente.&#13;
A partir del trabajo realizado por Sofía Frigerio bajo la dirección de Patricia Artundo, las carpetas se encuentran organizadas 21 en cubiertas rústica y 15 en cubiertas dura, distinguiéndose en este último entre las de color verde y azul. Cada conjunto está numerado de manera continua.&#13;
Como las fechas de los diferentes grupos de carpetas se superponen, se considera que cada carpeta es un módulo que se encuentra en proceso de elaboración, al cual se le va agregando información y continúa ampliándose con el tiempo. </text>
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              <name>Extent</name>
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                  <text>36 carpetas.</text>
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              <name>Date Submitted</name>
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                  <text>La descripción de los documentos fue realizada por Verónica Tejeiro entre 2019-2022 tomando como base el Trabajo de Integración Final de la carrera Licenciatura en Arte realizado por Sofía Frigerio bajo la dirección de la Dra. Patricia Artundo, presentando en la Facultad de Humanidades y Ciencias Sociales de la Universidad de Palermo, junio de 2006. &#13;
La autorización de dicho uso fue otorgada por la autora a la Fundación Pan Klub.</text>
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              <name>Coverage</name>
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                  <text>Las carpetas fueron conservadas dentro del fondo original. Una vez cedido a la Fundación Pan Klub, la Dra. Patricia Artundo identificó y clasificó las 36 carpetas de recortes . &#13;
En 2006 para el Trabajo de Integración Final de la carrera Licenciatura en Arte, Sofía Frigerio bajo la dirección de Dra. Patricia Artundo realizó una descripción formal y de contenido a partir de su investigación que fue presentando en la Facultad de Humanidades y Ciencias Sociales de la Universidad de Palermo.&#13;
En 2019, en el marco del proyecto Xul Solar: Archivo Documental, subsidiado por Mecenazgo Cultural de la Ciudad de Buenos Aires, en la clasificación del fondo documental se identificó la subserie. &#13;
Entre 2021-2022, se realizó el proyecto  Xul Solar: recortes para la construcción de una obra de arte total a partir del Concurso Desempolvando Archivos (Fundación Williams y Fundación Bunge y Born) en el que se realizó la descripción de la subserie,  las 36 carpetas  y de XXXX documentos pertenecientes a la carpeta Zoe. </text>
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                  <text>Artundo, Patricia, Visiones y revelaciones, Buenos Aires, Malba y Pinacoteca do Estado de São Paulo, 2005.&#13;
Rabossi, Cecilia, Xul Solar. Panactivista, Buenos Aires, Museo Nacional de Bellas Artes, 2020.&#13;
https://issuu.com/museonacionaldebellasartes/docs/xul_c98511e772b465&#13;
"El Palacio Enciclopédico", Exposición Central de la 55ª Bienal de Venecia, del 1 junio - 24 noviembre 2013.</text>
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                  <text>El artista elaboró dos carpetas más que pertenecen actualmente a una colección particular y por este motivo no se encuentra en el fondo Xul Solar.</text>
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              <name>Abstract</name>
              <description>A summary of the resource.</description>
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                  <text>Hacia 1906, Xul Solar inicia una actividad que mantendrá hasta el final de su vida: la de recortar ilustraciones y artículos de diarios y revistas para pegarlos en hojas, que reúne en carpetas divididas según sus intereses.&#13;
En el conjunto de carpetas que preserva la Fundación Pan Klub el recorte mas antiguo datado es de 1889, mientras que el más reciente datado es de 1953. &#13;
Dentro de este arco temporal, los recortes se concentran mayormente entre 1941-1953, mostrando los múltiples intereses del artista. Sin embargo, la disposición de los recortes en las carpetas no es siempre cronológica, lo que nos permite suponer que el artista acumuló previamente los recortes y luego los compuso.</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>Documentos impresos en español, inglés, italiano, francés, alemán y portugués. Anotaciones manuscritas en español y neocriollo.</text>
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            <name>Provenance</name>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Aparecieron de nuevo</text>
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                <text>s.f.</text>
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            <name>Temporal Coverage</name>
            <description>Temporal characteristics of the resource.</description>
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                <text>[1928-1948]</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Artículo breve sobre los pelícanos en Monterey.</text>
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            <name>Identifier</name>
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                <text>AXS_01412.482</text>
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                <text>1 documento, 1 folio</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>español</text>
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            <name>Type</name>
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                <text>recortes de prensa</text>
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                <text>impresión</text>
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            <name>Medium</name>
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                <text>papel de impresión</text>
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                <text>tinta</text>
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