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En el reverso, sobre la cartulina: “4&#13;
año 1919 CAMINO TRUNCO” [MCSS];&#13;
“102” [MRC].&#13;
Obras relacionadas&#13;
Sin título, (Cat. 203)&#13;
Documentación&#13;
Inv. FPK: “102 Camino trunco 1919 -&#13;
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a.i.i. “XUL” y “1955”&#13;
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CASI PLANTAS, 1955, 17 1/2 x 22 1/2, tinta” [MCSS];&#13;
“227” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Camino y casi plantas, en&#13;
Cuaderno marca “Cardenalito”, datado 1955, CA-48,&#13;
AD-FPK.&#13;
Inv. FPK: “227 CAMINO Y CASI PLANTAS 1955 -″-&#13;
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15 x 22, acuarela” y “n. 4” [MCSS]; “541” [anónimo];&#13;
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Registro fotográfico histórico&#13;
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25 x 20 cm</text>
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a.i.d. “Xul 1922”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”;&#13;
y papeles sueltos [01 - 05]: listado I, n. 226 y listado&#13;
IV, n. 7.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [032].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 41 y 47.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 17;&#13;
[Ventas a coleccionistas], p. 4.&#13;
Registro fotográfico histórico&#13;
Recorte con la reproducción de Capilla, en AXS, Cuaderno&#13;
con reproducciones de obras, marca “Sol de&#13;
Mayo”, posterior a 1929, CA-14, p. [22], AD-FPK.&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 226.&#13;
Exposiciones&#13;
Xul Solar: 1884 [sic]/1963, Buenos Aires, Galería Rubbers,&#13;
mayo de 1976, n. 8.&#13;
Observaciones&#13;
En 1977 la obra ingresó en una colección particular&#13;
de Buenos Aires, tal como lo indica la viuda en los documentos&#13;
de referencia, pero luego de esos registros&#13;
Capilla no volvió a ser vista ni en exposiciones ni en&#13;
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                <text>Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Be-llas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: listado III, n. 34.&#13;
Inv. FPK: “364 -″- Cara c. 1919 -″- 9 1/2&#13;
x 9 1/2.”&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por&#13;
encargo de MCSS, 1967, cajas I-III y V:&#13;
caja III, n. 34.</text>
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Sin información&#13;
Documentación&#13;
Inv. FPK: “365 -″- Cara c. 1922 -″- 9 1/2 x 9 1/2”.&#13;
Exposiciones&#13;
Oscar Alejandro Agustín Schulz Solari: Xul Solar 1887-&#13;
1963, Madrid, Guillermo de Osma Galería, 13 de febrero&#13;
- 3 de abril de 1993, n. 6, reprod. p. 4.&#13;
Art Miami: International Modern and Contemporary&#13;
Art Fair, Miami, Rachel Adler Fine Art, enero, 1997,&#13;
reprod. p. 55.&#13;
Observaciones&#13;
En el reverso del enmarcado actual de la obra: etiqueta&#13;
pegada “RACHEL ADLER FINE ART” con inscripción&#13;
con título y datos técnicos de la obra.</text>
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            <description>A name given to the resource</description>
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Acuarela y tinta sobre papel&#13;
montado sobre cartulina&#13;
[Medidas desconocidas]</text>
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                <text>Firma e inscripciones&#13;
c.i. “X. 1927”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01 - 05]: listado III, n. 24.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja III, n. 24.&#13;
Observaciones&#13;
El único registro conocido de la pintura es la diapositiva&#13;
indicada y el listado correspondiente. Desconocemos&#13;
en qué momento la viuda se desprendió de&#13;
ella, pero debe haber sido entre 1964 y 1967, ya que&#13;
no aparece en otros registros documentales posteriores&#13;
a esos años.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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            <name>Creator</name>
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            <description>An account of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="87">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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i.d. “XUL” y “1955”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(20” y “CARAS Y MASTILES, 1955, 17 x 22, tinta” [MCSS]; “225” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Caras y mástiles, en Cuaderno&#13;
marca “1910”, [1951-1954], CA-42, AD-FPK.&#13;
Inv. FPK: “225 CARAS Y MASTILES 1955 tinta 17 x 22”</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>papel prensa</text>
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                <text>tinta</text>
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            <name>Is Version Of</name>
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            <name>Provenance</name>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Carreta (Zoagli)</text>
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            <name>Creator</name>
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Acuarela sobre papel&#13;
22,7 x 31,4 cm</text>
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            <name>Identifier</name>
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                <text>Firma e inscripciones&#13;
a.i.d. “1921. Zg [Zoagli]”&#13;
Inscripciones de terceros&#13;
En el reverso: “CARRETA (Zoagli),&#13;
22 1/2 x 31, acuarela/ 1921” [MCSS];&#13;
“461” [MRC].&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones,&#13;
venta de obras, coleccionistas],&#13;
1963-1984: n. [033].&#13;
MCSS, “Muestras póstumas de A. Xul&#13;
Solar”, [Buenos Aires], 1963-1984: p. 52.&#13;
Inv. FPK: “461 Carreta (Zoagli) 1921&#13;
acuarela 22 1/2 x 31”.</text>
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            <name>Is Part Of</name>
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                <text>Fundación Pan Klub, Buenos Aires</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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