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                <text>Xul Solar, Alejandro (1887-1963)</text>
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                <text>Cuanto más viejos son, más se dedican a la caza del hombre</text>
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            <name>Date</name>
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                <text>Artículo sobre las novedades en el estudio de la duración de la vida y la muerte en los animales.</text>
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                <text>AXS_01412.395</text>
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          <element elementId="78">
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            <description>The nature or genre of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>agosto 2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cuatro</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1935</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="53734">
                <text>Cuatro, 1935&#13;
Lápices de colores sobre papel&#13;
21,9 x 16,6 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="53735">
                <text>AXS_02166</text>
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          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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                <text>Número de catálogo razonado: 0773</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Firma e inscripciones&#13;
a.i.d. “1935” y “III”&#13;
Inscripciones de terceros&#13;
En el reverso: “[faltante de papel] sobre” [MCSS];&#13;
“381” [anónimo]; “1.317” [MRC].&#13;
Documentación&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 201.&#13;
Inv. FPK: “521 Man Sierpe 1935 - 17 1/2 x 22”.&#13;
Observaciones&#13;
El soporte empleado para la obra es la contratapa de&#13;
un cuaderno escolar.&#13;
Documentación&#13;
Inv. FPK: “1317 Cuatro 1935 dibujo color 22 x 17</text>
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          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="53741">
                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="53742">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cuatro caras (Piscis)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1953</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="55863">
                <text>Cuatro caras (Piscis), 1953&#13;
Óleo sobre vidrio&#13;
30 x 20 cm</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="55864">
                <text>AXS_02219</text>
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            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="55865">
                <text>Número de catálogo razonado: 0926</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55866">
                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55867">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="55868">
                <text>pintura</text>
              </elementText>
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          <element elementId="71">
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
i.d. “Xul”; a.i.d. “1953”&#13;
Inscripciones de terceros&#13;
Véase Observaciones&#13;
Documentación:&#13;
AXS, primera idea para Cuatro caras (Piscis), en Cuaderno&#13;
de apuntes, datado 1952, CA-45, AD-FPK.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 62.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [041].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 70 y p. 206.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: [Ventas a coleccionistas], p. 8.&#13;
Registro fotográfico histórico&#13;
Anónimo, reproducción de Cuatro caras (Piscis), negativo&#13;
byn, 10 x 12,5 cm, n. 1636. AD-FPK.&#13;
Exposiciones&#13;
Pinties y dibujos: A. Xul Solar, Buenos Aires, Sala V,&#13;
Galería Van Riel, 22 de septiembre - 7 de octubre de&#13;
1953, n. 24.&#13;
Xul Solar, Buenos Aires, Galería Rubbers, abril-mayo&#13;
1980, n. 14.&#13;
Subastas&#13;
4º remate de obras de arte y antigüedades, Posadas&#13;
Remates S.A., Bullrich, Gaona y Guerrico, Buenos Aires,&#13;
noviembre, 1991, lote 196.&#13;
Notas&#13;
En el catálogo de la subasta en Posadas (1991), se&#13;
indicaba que en el reverso la obra presentaba una&#13;
etiqueta de la Galería Rubbers certificando su autenticidad&#13;
con el n. 14. En realidad y teniendo en cuenta&#13;
los reversos de las otras obras que fueron expuestas&#13;
en 1980, en el reverso sobre el cartón debe haber tenido&#13;
escrito con un rotulador el número del catálogo&#13;
y el título, y seguramente también el cartón tenía una&#13;
inscripción de Micaela Cadenas con el título y el número&#13;
de la obra en su exposición en Sala V en 1953. La&#13;
obra fue vendida durante la exposición en la Galería&#13;
Rubbers en 1980 y la subasta indicada constituye su&#13;
último registro documentado.&#13;
Observaciones&#13;
Las medidas de la obra se desprenden de los registros&#13;
de Micaela Cadenas y del catálogo de la exposición en&#13;
Galería Rubbers (1980); el único registro fotográfico&#13;
que existe es un negativo blanco y negro, probablemente&#13;
de la época de la exposición mencionada.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="55870">
                <text>Localización desconocida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="55871">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50464">
                <text>Cuatro cholas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50465">
                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50466">
                <text>1923</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50467">
                <text>Cuatro cholas, 1923&#13;
Acuarela y gouache sobre papel&#13;
25,8 x 32,1 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="50468">
                <text>AXS_01972</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="50469">
                <text>Número de catálogo razonado: 0570</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50470">
                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50471">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50472">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="50473">
                <text>Firma e inscripciones&#13;
a.i.d. “XUL/ 1923”&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”;&#13;
y papeles sueltos [01-05]: listado II, n. 62 y listado V,&#13;
n. 27.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 202 y 240.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: p. [12], [17],&#13;
[18], [34] y [36].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 12, 16, 22, 27, 45, 48 y 57.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 2 y 9;&#13;
“[Ventas a coleccionistas]”, p. 4.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 9.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja II, n. 62 y caja V, n. 27.&#13;
Anónimo, reproducción de Cuatro cholas, 1977, copia&#13;
de época, gelatina de plata, 8,8 x 9,9 cm, Copias de&#13;
época posteriores a 1963 (Musée d’Art Moderne, París,&#13;
1977), FO-24/1 a 63, n. 20, AD-FPK.&#13;
Anónimo, reproducción de Cuatro cholas, copia de&#13;
época, gelatina de plata, 8,5 x 10,6 cm, Copias de&#13;
época posteriores a 1963: sin identificar, FO-27/ 1 a&#13;
23, n. 06, AD-FPK.&#13;
Edgardo Cristiano, reproducción de Cuatro cholas,&#13;
1977, copia de época, gelatina de plata, 8,5 x 10,5 cm,&#13;
Copias de época, FO-30/ 1 a 24, n. 6, AD-FPK.&#13;
Exposiciones&#13;
Exposición Homenaje a Xul Solar Presentada por Jorge&#13;
L. Borges, Olivos (Prov. de Buenos Aires), Galería Diálogos,&#13;
2 al 22 de agosto de 1965, n. 2.&#13;
[Exposición de obras de Xul Solar], Buenos Aires, casa&#13;
particular del doctor Kuperman, organizada por Delia&#13;
Bucich, presentada por Ricardo Mosquera [Eastman],&#13;
noviembre de 1965, n. 3.&#13;
Xul Solar. Obras 1915/1962, Museo Provincial de Bellas&#13;
Artes Rosa Galisteo de Rodríguez, noviembre de 1967.&#13;
Homenaje a Xul Solar, La Plata, Museo Provincial de&#13;
Bellas Artes, 17 de julio al 11 de agosto de 1968.&#13;
Xul Solar 1887-1963, París, Musée d’Art Moderne de la&#13;
Ville de Paris, 20 de octubre-27 de noviembre de 1977,&#13;
n. 13, reprod. byn s.p.&#13;
Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers,&#13;
1978, n. 13, reprod. byn s.p.&#13;
Pintores Argentinos en Rubbers. “Adhesión al Mundial&#13;
78”, Buenos Aires, Galería Rubbers, 7 al 24 de junio&#13;
de 1978.&#13;
I Bienal Latino Americana de São Paulo, Parque Ibirapuera,&#13;
noviembre-diciembre, 1978.&#13;
La Colección Costantini en el Museo Nacional de Bellas&#13;
Artes, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
1996, reprod. p. 85.&#13;
A Coleção Costantini no Museu de Arte Moderna de São&#13;
Paulo, San Pablo, Museu de Arte Moderna de São Paulo,&#13;
1998, reprod. p. 95.&#13;
A Coleção Costantini no Museu de Arte Moderna do Rio&#13;
de Janeiro, Rio de Janeiro, Museu de Arte Moderna do&#13;
Rio de Janeiro, 1998, reprod. p. 139.&#13;
Claves del arte latinoamericano: Colección Costantini,&#13;
Madrid, Fundación La Caixa, 1999, reprod. p. 139.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 33, reprod. p. 105.&#13;
Bibliografía&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, ALBA / BUNGE y Born, 1994, n. 82, p. 102.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 82, p. 102.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista,&#13;
Buenos Aires, Fundación Pan Klub - Museo Xul&#13;
Solar, 2002., p. 96.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia,&#13;
Buenos Aires, Pan Klub Foundation - Museo Xul Solar,&#13;
2002, p. 96.&#13;
ARTUNDO, Patricia M., “Cuatro cholas” en: PACHECO,&#13;
Marcelo E. (ed.), Obras Malba - Colección Costantini,&#13;
Buenos Aires, Malba - Colección Costantini, 2001, p.&#13;
92-93, reprod. p.</text>
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GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
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Abrams, Inc., Publishers, 1996, n. 82, p. 102.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista,&#13;
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Solar, 2002., p. 96.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia,&#13;
Buenos Aires, Pan Klub Foundation - Museo Xul Solar,&#13;
2002, p. 96.&#13;
ARTUNDO, Patricia M., “Cuatro cholas” en: PACHECO,&#13;
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En el reverso, sobre la cartulina: “(69) Cuatro drol&#13;
caras y croco, 1955,/ 17 x 22, tinta” [MCSS]; “274”&#13;
[MRC].&#13;
Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 63 y 71.&#13;
Inv. FPK: “274 Cuatro Drol Casas y Croco 1955 -″- -″-&#13;
16 1/2 x 22”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de&#13;
MCSS, 1967, cajas I-III y V: caja III, n. [137] [fuera&#13;
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Xul Solar, Buenos Aires, Galería Rubbers, abril-mayo,&#13;
1980, n. 22.</text>
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En el reverso, sobre la cartulina: “(75) CUATRO INCREIBLES,&#13;
1955, 17 x 22, tinta” [MCSS]; “279” [MRC].&#13;
Documentación&#13;
Inv. FPK: “279 Cuatre increibles 1955 -″- 17 x 22”.&#13;
Exposiciones&#13;
Emilio Pettoruti y Xul Solar. Nuevo mundo, Buenos Aires, Galería Del Infinito, 13 de noviembre de 2024 al 31 de enero de 2025.&#13;
Observaciones&#13;
Es probable que la cartulina que sirve de soporte al&#13;
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para otra obra ya que en su reverso conserva restos&#13;
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D. 231” [MCSS]; “302” [MRC].&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
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Inv. FPK: “311 Cuatro man sierpes 1935 lápices colores&#13;
17 1/2 x 22”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 231.</text>
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                <text>Cuatro mestizos de avión y ciudad, 1935&#13;
Lápices de colores sobre papel&#13;
montado sobre cartulina&#13;
16,7 x 22 cm, montaje 21,2 x 25,8 cm</text>
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              <elementText elementTextId="53497">
                <text>AXS_02150</text>
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                <text>Número de catálogo razonado: 0756</text>
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                <text>Firma e inscripciones&#13;
a.i.d. “III 1935”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 44, 47.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires]: 1964-1983, [Ventas a coleccionistas], p. 6.&#13;
Exposiciones&#13;
Xul Solar: A Collector’s Vision, Nueva York, Rachel Adler&#13;
Gallery, 1° de mayo - 30 de junio de 1993, n. 17.</text>
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              <elementText elementTextId="53503">
                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 123, reprod. p. 161&#13;
[con el título Gente kin vuelras].&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 123, reprod. p. 161&#13;
[con el título Gente kin vuelras].&#13;
MACHAIN FRANCO, Marina, “A visão da cidade futura&#13;
em dois tempos, fição e espiritualidade em Vuel Villa”,&#13;
Anais do V Congresso Brasileiro de Hispanistas,&#13;
Belo Horizonte, Universidade Federal de Minas Gerais,&#13;
2008, p. 1673-1682.&#13;
KEFALA, Eleni, “Xul Solar the Reluctant Utopian”, Bulletin&#13;
of Spanish Studies: Hispanic Studies and Researches&#13;
on Spain, Portugal and Latin America, Escocia,&#13;
University of Saint Andrews, v. 89, n. 2, febrero, 2012,&#13;
p. 253-279.</text>
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                <text>Colección particular, Estados Unidos</text>
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              <elementText elementTextId="53505">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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          <element elementId="50">
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              <elementText elementTextId="55350">
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Acuarela sobre papel&#13;
22,7 x 30,6 cm</text>
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                <text>Firma e inscripciones&#13;
a.i.i. “Xul/ 1951.”&#13;
Inscripciones de terceros&#13;
En el reverso: “CUATRO PAGODAS, 1951, 30 1/2 X 23,&#13;
ac. b y negro” [MCSS]; “480” [anónimo]; “1375” [MRC].&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [044].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 72 y 75.&#13;
Inv. FPK: “1375 Cuatro pagodas 1951 dibujo 30 x 23”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Galería Rubbers, 13 de mayo-&#13;
1° de junio de 1982, n. 11.</text>
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            <elementTextContainer>
              <elementText elementTextId="55361">
                <text>Fundación Pan Klub -  Museo Xul Solar</text>
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          <element elementId="50">
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              <elementText elementTextId="53745">
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              </elementText>
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              <elementText elementTextId="53747">
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Lápices de colores sobre papel&#13;
montado sobre cartón&#13;
22,1 x 16,5 cm, montaje 30,2 x 24,5 cm</text>
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            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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            <elementTextContainer>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="53754">
                <text>Firma e inscripciones&#13;
i.d. “Xul”; a.i.i. “III 1935.”&#13;
Localización&#13;
Fundación Pan Klub, Buenos Aires&#13;
Otros títulos&#13;
Caballos&#13;
Firma e inscripciones&#13;
i.i. [firma ilegible]; a.i.i. “1936/ Jan”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “CUATRO PAREJAS,&#13;
1935, lap. col.” [MCSS]; “16 x 22/ 15 x 15/ 31 x 37”&#13;
[anónimo].&#13;
Documentación&#13;
Inv. FPK: “1313 Parejas 1935 Dibujo color 22 x 17”.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="53755">
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              </elementText>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="53756">
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          <element elementId="50">
            <name>Title</name>
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            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="54941">
                <text>1949</text>
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          <element elementId="41">
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                <text>Cuatro plurentes, 1949&#13;
Acuarela sobre papel montado sobre cartón&#13;
35 x 33 cm, montaje 49,5 x 37,5 cm</text>
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            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="54944">
                <text>AXS_02252</text>
              </elementText>
            </elementTextContainer>
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            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="54945">
                <text>Número de catálogo razonado: 0859</text>
              </elementText>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
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          <element elementId="71">
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="54949">
                <text>Firma e inscripciones&#13;
e.d.c. “Xul/ 1949”&#13;
Véase Observaciones&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 7 y 204.&#13;
Exposiciones&#13;
A. Xul Solar, Buenos Aires, Galería Samos, 18 de julio -&#13;
2 de agosto de 1949 [fuera de catálogo].&#13;
Alejandro Xul Solar (1887-1963), Buenos Aires, Galería&#13;
Kramer, 8-20 de agosto de 1988, n. 23.&#13;
ADES, Dawn (ed.), Art in Latin America. The Modern Era&#13;
1820-1980, Londres, The Hayward Gallery; Estocolmo,&#13;
mayo-agosto de 1989, reprod. p. 143.&#13;
ADES, Dawn (ed.), Guy Brett, Stanton L. Catlin y Rosemary&#13;
O’Neill, Jord och frihet: Latinamerikansk konst&#13;
1830-1970, Nationalmuseum, Moderna Museet, Stockholm,&#13;
16 septiembre-19 noviembre, 1989, reprod.&#13;
p. 143.&#13;
ADES, Dawn (ed.), Arte en Iberoamérica 1820-1980,&#13;
Madrid, Palacio de Velázquez, Ministerio de Cultura,&#13;
Centro de Arte Reina Sofía, Centro Nacional de Exposiciones,&#13;
14 de noviembre de 1989 al 4 de marzo,&#13;
1990, n. 6.27, reprod. p. 143.&#13;
Xul Solar: visiones y revelaciones, Buenos Aires; San&#13;
Pablo; Houston; México DF, 2005-2006, n. 84, reprod.&#13;
p. 131 [obra no expuesta].&#13;
Notas&#13;
En los documentos de referencia histórica, solo existen&#13;
dos menciones a esta obra –[Documentos 1920-&#13;
1951], p. 7 y 204–; una indica que ella no había sido&#13;
devuelta por Joaquín F. Dávila (seudónimo de Carlos&#13;
Peláez de Justo), a la sazón uno de los directores de&#13;
la revista Continente (1947-1955) donde apareció&#13;
reproducida en noviembre de 1949; la otra mención&#13;
indica que había sido dada en pago a Dávila. El pago&#13;
mencionado debe referirse al pago por la reproducción&#13;
de la obra y/o por la inclusión en la revista del&#13;
prólogo de Jorge Luis Borges para su exposición en&#13;
Galería Samos de ese mismo año.&#13;
Este mismo documento informa sobre la numeración&#13;
asignada a la pintura dentro del conjunto de obras&#13;
realizadas en 1949, el número “20”, que no aparece&#13;
inscripto en ella y no se ha podido verificar si este&#13;
aparece o aparecía en su reverso.&#13;
Observaciones&#13;
Hasta donde sabemos, fue a fines de la década de&#13;
1940 que Xul comenzó a realizar él mismo los marcos&#13;
de madera para sus pinturas los que, tratados&#13;
de manera artesanal, traducían a ese nivel ciertas&#13;
características de los marcos tradicionales: por ejemplo,&#13;
el empleo de un contramarco (generalmente&#13;
pintado de blanco), la parte inferior más ancha que&#13;
la superior. Asimismo, muchos de estos marcos fueron&#13;
pintados de un color rosado con el listón interior&#13;
en blanco, como sucede en Peñas (Cat. 907) o en varios&#13;
de los óleos sobre vidrio realizados entre 1952 y&#13;
1953. Tanto en el caso de Cuatro plurentes como de&#13;
Trece san Mástiles (Cat. 862) estos marcos presentan&#13;
una particularidad ya que la obra se extiende sobre&#13;
él que ahora resulta integrado a pintura. Se trata de&#13;
una variable sobre un método de trabajo que había&#13;
empleado a fines de los años diez y comienzos de la&#13;
década de 1920, donde la acuarela también actuaba,&#13;
modificándolo, sobre el soporte elegido para el&#13;
papel, en general una cartulina de color (véase por&#13;
ejemplo, Angels, (Cat. 329).</text>
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                <text>“Xul Solar”, Continente, Buenos Aires, n. 32, noviembre&#13;
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SVANASCINI, Osvaldo, “Alejandro Xul Solar”, en Gabriel&#13;
Levinas (editor), Arte argentino contemporáneo, Madrid,&#13;
Editorial Ameris, Jorge Garfunkel, 1979, reprod.,&#13;
p. 53.&#13;
TAVERNA YRIGOYEN, Jorge [i.e. Jorge López Anaya],&#13;
Pintores argentinos del siglo XX. Xul Solar, Buenos Aires,&#13;
CEAL, n. 27, 1980, reprod. lámina III.&#13;
SANTANA, Nahuel, “Xul Solar, hacedor de lenguajes”,&#13;
La actualidad en el arte, Buenos Aires, a. 5, n. 24, junio&#13;
de 1981, reprod. byn, p. 29.&#13;
[Reproduccion de Cuatro plurentes] en Artinf, Buenos&#13;
Aires, a. 11, n. 60/61, primavera de 1986, reprod. p. 39.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar (1887-&#13;
1963), Buenos Aires, Ediciones Anzilotti/Galería Kramer,&#13;
1988, reprod. p. 53.&#13;
MARTÍNEZ QUIJANO, Ana, “Xul Solar: el mago blanco&#13;
del arte”, First, Buenos Aires, a. 7, n. 81, junio, 1993,&#13;
reprod. p. 34 [con el título Sin sombra].&#13;
GRADOWCZYK, Mario H., AXS, Buenos Aires, Alba/Bunge&#13;
y Born, 1994, reprod. n. 141, p. 181.&#13;
GRADOWCZYK, Mario H., AXS, Buenos Aires, Alba/Bunge&#13;
y Born; Nueva York, Harry N. Abrams, Inc., Publishers,&#13;
1996, reprod. n. 141, p. 181.&#13;
PINI, Ivonne, “Arte en Colombia: un espacio de reflexión&#13;
para el arte de América Latina”, Art Nexus,&#13;
Bogotá, vol. 5, n. 54, octubre-diciembre 2004, p. 73.</text>
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Inscripciones de terceros&#13;
En el reverso, sobre cartulina: “(81) CUATRO PUPAS,&#13;
1955, 17 x 22 tinta” [MCSS]; “285” [MRC].&#13;
Documentación&#13;
Inv. FPK: “285 Cuatro Pupas 1955 tinta 17 x 22”.</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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Acuarela, gouache y tinta sobre papel&#13;
montado sobre cartón pintado&#13;
15 x 19 cm</text>
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            <elementTextContainer>
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          <element elementId="42">
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                <text>Firma e inscripciones&#13;
i.d. “Xul/ 1922”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”;&#13;
y papeles sueltos [01 - 05]: listado II, n. 108 y listado&#13;
V, n. 22.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 201 y 244.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [013], [019],&#13;
[020], [021] y [049].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 13, 16, 22, 32, 39, 52 y 60.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”: p. 2 y 11;&#13;
[Ventas a coleccionistas], p. 7.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 11.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja II, n. 108 y caja V, n. 22 y [22 bis].&#13;
Anónimo, reproducción de Cuatro rúas, copia de&#13;
época, gelatina de plata, 9 x 14 cm, Copias de época&#13;
posteriores a 1963: década de 1970, FO-22/ 1 a 7, n.&#13;
1, AD-FPK.&#13;
Exposiciones&#13;
Exposición Homenaje a Xul Solar presentada por Jorge&#13;
L. Borges, Olivos (Prov. de Buenos Aires), Galería Diálogos,&#13;
2 - 22 de agosto de 1965, n. 14.&#13;
[Exposición de obras de Xul Solar], Buenos Aires, casa&#13;
particular del doctor Kuperman, organizada por Delia&#13;
Bucich, presentada por Ricardo Mosquera [Eastman],&#13;
noviembre de 1965, n. 1.&#13;
Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial&#13;
de Bellas Artes Rosa Galisteo de Rodríguez, 15 de noviembre,&#13;
1967, n. 4.&#13;
Xul Solar/Pinturas, Buenos Aires, Javier Galería de&#13;
Arte, 3 - 14 de junio de 1969, n. 1.&#13;
Xul Solar: acuarelas y témperas, Buenos Aires, Galería&#13;
Rubbers, mayo de 1975, n. 5.&#13;
Los raros: Burgoa Videla, Cúnsolo, Gramajo Gutiérrez,&#13;
Guzmán Loza, Schiavone, Xul Solar, Buenos Aires, Galería&#13;
Vermeer, 1982, n. 33, reprod. byn p. 11.&#13;
Subastas&#13;
Important Latin American Paintings, Drawings and&#13;
Sculpture, Part I and II. Pre Columbian and Colonial&#13;
Works of Art, Christie’s, Nueva York, 26 y 27 de noviembre,&#13;
1996, lote 157, reprod. p. 168.</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="54998">
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54999">
                <text>Cuatro san Mástiles, 1949&#13;
Acuarela sobre papel montado sobre cartón&#13;
27 x 33 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="55000">
                <text>AXS_02257</text>
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            </elementTextContainer>
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                <text>Número de catálogo razonado: 0864</text>
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          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="55004">
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
a.i.i. “23/ Xul/ 1949”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01 - 05]: listado II, n. 82; listado IV, n.&#13;
51 y listado V, n. 63.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 8 y 243.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [008], [012],&#13;
[019], [020], [021], [035] y [037].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 8, 19, 24, 32, 39, 46, 50 y 59 bis.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p.&#13;
4 y 10; [Ventas a coleccionistas], p. 7.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 10.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja II, n. 82 y caja V, n. 63.&#13;
Anónimo, reproducción de Cuatro san Mástiles, 1977,&#13;
copia de época, gelatina de plata, 11,5 x 18,2 cm, Copias&#13;
de época certificadas (París, 1977), FO-20 /1 a 19,&#13;
n. 17, AD-FPK.&#13;
Anónimo, reproducción de Cuatro san Mástiles, 1977,&#13;
copia de época, gelatina de plata, 9 x 11,2 cm, Copias&#13;
de época posteriores a 1963 (Musée d’Art Moderne,&#13;
París, 1977), FO-24/1 a 63, n. 45, AD-FPK.&#13;
Exposiciones&#13;
Muestra de cuadros de A. Xul Solar, Buenos Aires, Galería&#13;
Guión, 3 - 15 de septiembre de 1951, n. 1.&#13;
Homenaje a Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, octubre de 1963, n. 53.&#13;
III Bienal Americana de Arte. Exposición homenaje a&#13;
Xul Solar, Córdoba, Museo Provincial de Bellas Artes&#13;
Emilio Caraffa, octubre de 1966, n. 10.&#13;
Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial&#13;
de Bellas Artes Rosa Galisteo de Rodríguez, noviembre&#13;
de 1967, n. 47.&#13;
Xul Solar/Pinturas, Buenos Aires, Javier Galería de&#13;
Arte, 3 - 14 de junio de 1969, n. 7.&#13;
Xul Solar: acuarelas y témperas, Buenos Aires, Galería&#13;
Rubbers, mayo de 1975, n. 18.&#13;
Xul Solar 1887-1963, París, Musée d’Art Moderne de la&#13;
Ville de Paris, 20 de octubre-27 de noviembre de 1977,&#13;
n. 47, reprod. byn.&#13;
Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers,&#13;
1978, n. 47.&#13;
Xul Solar: A Collector’s Vision, Nueva York, Rachel Adler&#13;
Gallery, 1° de mayo - 30 de junio de 1993, n. 25.&#13;
Observaciones&#13;
La obra apareció publicada en el sitio de Mary-Anne&#13;
Martin Fine Art de Nueva York, (http://mamfa.com/&#13;
artists/xul-solar-alejandro), último acceso 30 de octubre&#13;
de 2013.</text>
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            <elementTextContainer>
              <elementText elementTextId="55006">
                <text>Colección particular, Estados Unidos</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
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                <text>Firma e inscripciones&#13;
i.i. “XUL” y “28”; ai.i. “1955”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(80) CUATRO Y FANTASMA,&#13;
1955, 17 x 22, tinta” [MCSS]; “286” [MRC].&#13;
Documentación&#13;
Inv. FPK: “286 Cuatro y Fantasma 1955 -″- 17 x 22”.&#13;
Exposiciones&#13;
Emilio Pettoruti y Xul Solar. Nuevo mundo, Buenos Aires, Galería Del Infinito, 13 de noviembre de 2024 al 31 de enero de 2025.</text>
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                <text>Firma e inscripciones&#13;
a.i.i. “Xul IX”; e.i.i. “1948”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
AXS, primera idea para Cuevas, en Cuaderno de apuntes,&#13;
datado 1948, CA-35, AD-FPK.&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01 - 05]: listado II, n. 29; listado V, n.&#13;
51 y “Lista diap. […], n. 308.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 5, 7, 204 y 238.&#13;
MCSS, [Documentos relativos a exposiciones, venta de&#13;
obras, coleccionistas], 1963-1984: n. [009], [017], [018].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 8, 15, 28, 51, 58 y 66.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 3 y 7.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 2.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja II, n. 29; caja III, n. [162] y caja&#13;
V, n. 51.&#13;
Exposiciones&#13;
Homenaje a Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, octubre de 1963, n. 48 [con el título&#13;
Cuevas (1)].&#13;
Xul Solar, Buenos Aires, Proar, 23 de agosto - 11 de&#13;
septiembre de 1965, n. 28 [con el título Cuevas (1)].&#13;
Homenaje a Xul Solar, La Plata, Museo Provincial de&#13;
Bellas Artes, 17 de julio - 11 de agosto de 1968, n. 43.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 82.&#13;
Das vanguardas ao fim do milenio, Lisboa, Culturgest,&#13;
Edifício-Sede da Caixa Geral de Depósitos, 23 de abril&#13;
al 1 de agosto, 1999.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 74, reprod. p. 146.&#13;
Borges y el arte en el Museo Nacional de Bellas Artes,&#13;
Buenos Aires, Museo Nacional de Bellas Artes, septiembre,&#13;
2002.&#13;
Notas&#13;
En 1981 tres fueron las obras adquiridas con destino&#13;
al MNBA: Piai (1923), Predicador (1926) y Cuevas&#13;
(1948); se trató de la primera vez que el MNBA adquirió&#13;
obras de Xul Solar, lo habían precedido el Museo&#13;
Provincial de Bellas Artes de La Plata (1932) y el Museo&#13;
de Arte Moderno de Buenos Aires (1970).&#13;
Observaciones&#13;
La indicación del título Cuevas (1) realizada por Micaela&#13;
Cadenas, pareciera indicar que, siguiendo su&#13;
práctica de diferenciar ciertas obras a partir de una&#13;
numeración agregada, existe otra versión de esta&#13;
pintura o que por lo menos compartía el título. En la&#13;
página 204 del documento [Exposiciones 1920-1951],&#13;
ella indica a continuación de esta obra, otra con las&#13;
mismas medidas y año de ejecución. Hasta el momento&#13;
esta última no ha podido ser identificada.</text>
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Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1360 Culebra 1919 acuarela 5 x 22,5”.&#13;
Exposiciones&#13;
Xul Solar: visiones y revelaciones, Buenos Aires; San&#13;
Pablo; Houston; México DF, 2005-2006, n. 34, reprod.&#13;
p. 106.</text>
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Se concibieron como folios cada uno de los fragmentos de los documentos adheridos al soporte. &#13;
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