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                <text>De todo sutil worde must pan da kien ta es Dios, jesus&#13;
say... río Luján</text>
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                <text>Número de catálogo razonado: 1197</text>
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a.s.d. “X”; e.i.i. “1962. [Río Luján].”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1293 De todo 1962 témpera 17 x 22”.&#13;
Registro fotográfico histórico&#13;
Anónimo, reproducción de De todo, s.d., transparencia&#13;
10x 12,5, byn, n. 1633, antes Archivo Galería Rubbers,&#13;
AD-FPK.</text>
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                <text>Firma e inscripciones&#13;
a.i.d. “X”&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, septiembre de&#13;
1998, reprod. p. 24.&#13;
Subastas&#13;
The Latin American Sale, Christie’s,&#13;
Nueva York, 22 y 23 de noviembre,&#13;
1999, lote 26, reprod. p. 57 y contratapa.&#13;
Observaciones&#13;
Al salir a subasta en 1999 se indicó&#13;
que la obra contaba con una fotocertificado&#13;
de autenticidad otorgado por Natalio J. Povarché. Al respecto,&#13;
en el cartón de soporte del enmarcado&#13;
actual, presenta una etiqueta pegada&#13;
“Certificado de autenticidad”, de&#13;
Galería Rubbers, firmada por Povarché,&#13;
además de otras etiquetas de&#13;
Christie’s, del Museo Nacional de Bellas&#13;
Artes y de Delmiro Méndez e Hijo.</text>
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50 X 35 AÑO 1953, D. 35 diap.” [MCSS].&#13;
Documentación&#13;
AXS, primera idea para Desarrollo del Yi Ching, en Cuaderno&#13;
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MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
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AD-FPK.&#13;
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Exposiciones&#13;
Pinties y dibujos: A. Xul Solar, Buenos Aires, Sala V,&#13;
Galería Van Riel, 22 de septiembre - 7 de octubre de&#13;
1953, n. 15.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 90, reprod. p. 161.&#13;
Xul Solar: visiones y revelaciones, Buenos Aires; San&#13;
Pablo; Houston; México DF, 2005-2006, n. 100.&#13;
RANGEL, Gabriela (ed.), Xul Solar and Jorge Luis Borges:&#13;
The Art of Friendship, Nueva York, America Society&#13;
Art Gallery / Phoenix Art Museum, del 18 de abril&#13;
al 20 de julio; 21 de septiembre al 31 de diciembre,&#13;
2013, reprod. p. 132.&#13;
Xul Solar: Panactivista, Buenos Aires, Museo Nacional de Bellas Artes, 7 de marzo al 18 de junio de 2017, reprod. p. [196-197] Detalle [187]&#13;
Xul Solar: Panactivista, Ciudad de México, Museo de Arte Carrillo Gil,  julio a octubre de 2017, reprod. p. 48&#13;
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              <elementText elementTextId="51824">
                <text>Despareja&#13;
</text>
              </elementText>
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          <element elementId="39">
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                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1924</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="52">
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Lungo i petiso</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51828">
                <text>Despareja, 1924&#13;
Acuarela y gouache sobre papel&#13;
montado sobre cartón&#13;
19 x 24 cm, montaje 21 x 25,6 cm</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="51829">
                <text>AXS_02030</text>
              </elementText>
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          </element>
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            <elementTextContainer>
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                <text>Número de catálogo razonado: 0635</text>
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i.d. “Xul” y “1924”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires] 1963-1984: p. 44, 53 y 57.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: [Ventas a coleccionistas], p. 6.&#13;
Registro fotográfico histórico&#13;
Anónimo, reproducción de Despareja, [192?], copia&#13;
de época, gelatina de plata, 9,7 x 11,6 cm, Serie Fotografías&#13;
de obras, FO-01/ 1 a 60, n. 06, AD-FPK.&#13;
Anónimo, reproducción de Despareja y de Sin título&#13;
(Cat. 511), [192?], negativo a la gelatina-bromuro sobre&#13;
vidrio, 12,8 x 17,8 cm, AD-FPK.&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja III, n. [77] [fuera de listado].&#13;
Exposiciones&#13;
Exposición Xul Solar, Buenos Aires, Amigos del Arte,&#13;
mayo de 1929, n. 55 [con el título Lungo i petiso].&#13;
Xul Solar (1887-1963) OEuvres de 1915 à 1962, París,&#13;
Grand Palais / Galería Rubbers / FIAC 78, Art Contemporain,&#13;
20-29 de octubre de 1978, reprod. byn, p. 207.&#13;
El Anti-Rinoceronte: periódico Martín Fierro: las primeras&#13;
vanguardias, Buenos Aires, Galería Ruth Benzacar,&#13;
octubre-noviembre de 1983, n. 44, reprod. byn.&#13;
Art of The Fantastic Latin America 1920-1987, Indianapolis,&#13;
Museum of Art; Nueva York, The Queens Museum;&#13;
Miami, Center for the Fine Arts, junio-septiembre&#13;
de 1987, reprod. p. 61.&#13;
Art d’Amérique latine, París, Museé National D’Art Moderne,&#13;
Centre Georges Pompidou, 10 de noviembre&#13;
de 1992 al 11 de enero de 1993, reprod. p. 145.&#13;
Lateinamerikanische Kunst, Colonia, Kunsthalle Cologne,&#13;
Ludwig Museum, 8 de febrero al 25 de abril,&#13;
1993, reprod. p. 71.&#13;
La Colección Costantini en el Museo Nacional de Bellas&#13;
Artes, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
1996, reprod. p. 77.&#13;
A Coleção Costantini no Museu de Arte Moderna de São&#13;
Paulo, San Pablo, Museu de Arte Moderna de São Paulo,&#13;
1998, reprod. p. 119.&#13;
A Coleção Costantini no Museu de Arte Moderna do Rio&#13;
de Janeiro, Rio de Janeiro, Museu de Arte Moderna do&#13;
Rio de Janeiro, 1998, reprod. p. 163.&#13;
Claves del arte latinoamericano: Colección Costantini,&#13;
Madrid, Fundación La Caixa, 1999, reprod. p. 145.&#13;
Paul Klee invita a Xul Solar en el Museo Nacional de&#13;
Bellas Artes, Buenos Aires, Museo Nacional de Bellas&#13;
Artes, 1999, reprod. p. 21.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 45, reprod. p. 117.&#13;
RANGEL, Gabriela (ed.), Xul Solar and Jorge Luis Borges:&#13;
The Art of Friendship, Nueva York, Americas Society&#13;
Art Gallery / Phoenix Art Museum, editado por&#13;
Gabriela Rangel, del 18 de abril al 20 de julio; 21 de&#13;
septiembre al 31 de diciembre, 2013, reprod. p. 92-93.&#13;
</text>
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            <elementTextContainer>
              <elementText elementTextId="51835">
                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 80, reprod. p. 101.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 80, reprod. p. 101.&#13;
ARTUNDO, Patricia M., “Despareja o Lungo y petiso”&#13;
en: PACHECO, Marcelo E. (ed.), Obras Malba - Colección&#13;
Costantini, Buenos Aires, Malba - Colección Costantini,&#13;
2001, reprod. p. 103.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista,&#13;
Buenos Aires, Fundación Pan Klub - Museo Xul&#13;
Solar, 2002, n. 75, reprod. p. 97.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia,&#13;
Buenos Aires, Pan Klub Foundation - Museo Xul Solar,&#13;
2002, n. 75, reprod. p. 97.&#13;
PACHECO, Marcelo E., “De las primeras vanguardias&#13;
al informalismo” en: Marcelo E. Pacheco, Doscientos&#13;
años de pintura argentina, Buenos Aires, Banco Hipotecario,&#13;
vol. n. 2, p. 9-43, 2014, reprod. p. 82.</text>
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            <elementTextContainer>
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                <text>Malba - Fundación Costantini, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="91">
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Acuarela, gouache y tinta sobre papel&#13;
montado sobre cartulina&#13;
17 x 21,7 cm, montaje 22 x 26,5 cm</text>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="51009">
                <text>Firma e inscripciones&#13;
a.i.d. “XUL . 1923”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Exposiciones&#13;
Latin Viewpoints: into de mainstream, Roslyn Harbor,&#13;
New York, Nassau County Museum of Art, 1996, reprod.&#13;
p. 64.&#13;
RANGEL, Gabriela (ed.), Xul Solar and Jorge Luis Borges:&#13;
The Art of Friendship, Nueva York, Americas Society&#13;
Art Gallery / Phoenix Art Museum, del 18 de abril&#13;
al 20 de julio; 21 de septiembre al 31 de diciembre,&#13;
2013, reprod. p. 34 [obra no expuesta]. </text>
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          <element elementId="80">
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="51010">
                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 51, reprod. p. 69.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 51, reprod. p. 69.&#13;
CAMNITZER, Luis, “Arte latinoamericano en Long Island.&#13;
Puntos de vista desde la provincia”, Art Nexus,&#13;
Bogotá, n. 25, julio-septiembre, 1997, p. 42-44, reprod.&#13;
p. 42.</text>
              </elementText>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="51011">
                <text>Colección particular, Texas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51012">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="62926">
                <text>Destiempo, Buenos Aires, a. 1, n. 1, octubre de 1936.&#13;
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                <text>Notas&#13;
La participación de Xul en Destiempo (Buenos Aires, 1936-1937), dirigida por Jorge&#13;
L. Borges y Adolfo Bioy Casares, aparece limitada a dos intervenciones. Una de ellas,&#13;
las dos viñetas que ilustran el número 1 de la revista. La segunda, es la publicación&#13;
de “Visión sobrel trilíneo” en el número dos (a. 1, n. 2, noviembre de 1936, p. 4), que&#13;
apareció acompañada por una glosa (una gramática básica de neocriollo).&#13;
Observaciones&#13;
La viñeta reproducida en la página 5, está firmada “X” y tanto por la técnica (tinta&#13;
sobre papel) como por su iconografía (el pez y los velámenes), la sitúan en 1927 y&#13;
remiten directamente a pinturas como Otro puerto del mismo año, por lo que no fue especialmente realizada para la publicación, sino que debe habérsele solicitado una colaboración y Xul eligió esa tinta cuyo original se ha perdido. En el caso de la que ilustra la página 2, también debe situarse hacia la misma fecha y allí la “X” se confunde con los pentagramas o estrellas de cinco puntas que recorren el cielo.</text>
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                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born,&#13;
1994, p. 156-161, reprod. p. 156 [reproduce la viñeta de página 5].&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva&#13;
York, Harry N. Abrams, Inc., Publishers, 1996, p. 156-161, reprod. p. 156.&#13;
LOUIS, Annick, “Acontecimientos: Xul-Borges, a cor do encontro” en: Borges y Xul&#13;
Solar: Língua e Imagen, Rio de Janeiro, Centro Cultural Banco do Brasil, octubre,&#13;
1998, p. 42-49.&#13;
LOUIS, Annick, “Xul, Borges, o los placeres de la afinidad electiva” en: Xul Solar: visiones&#13;
y revelaciones, Buenos Aires; San Pablo; Houston; México DF, 2005-2006, p.&#13;
81-88.&#13;
XUL SOLAR, Alejandro, “Visión sobrel trilíneo”, traducción de Daniel E. Nelson, en&#13;
Patricia M. Artundo (org.), Xul Solar: entrevistas, artículos y textos inéditos, Buenos&#13;
Aires, 2005, p. 168-171 y 181-184.&#13;
XUL SOLAR, Alejandro, Los San Signos: Xul Solar y el I Ching, Daniel Nelson (trad.),&#13;
Buenos Aires, El hilo de Ariadna, Fundación Pan Klub, 2012.&#13;
BORGES, Jorge Luis, Jorge L. Borges recuerda a Xul Solar. Prólogos y conferencias:&#13;
1949-1980, Patricia M. Artundo (ed.), Buenos Aires, Fundación Pan Klub / Fundación Internacional Jorge Luis Borges, 2013.</text>
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                <text>Fundación Pan Klub, Buenos Aires</text>
              </elementText>
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            <name>Rights Holder</name>
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              <elementText elementTextId="62935">
                <text>Fundación Pan Klub - Museo Xul Solar (de las viñetas)</text>
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Registro fotográfico histórico&#13;
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LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista,&#13;
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Solar, 2002, n. 45, reprod. p. 69.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia,&#13;
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Sin información&#13;
Documentación&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
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MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
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Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja III, n. [91] [fuera de listado].&#13;
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Xul Solar (1887-1963) OEuvres de 1915 à 1962, París,&#13;
Grand Palais / Galería Rubbers / FIAC 78, Art Contemporain,&#13;
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MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
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Inv. FPK: “219 DIS VENTANAS 1955 -″- -″- 17 x 22 1/2”.&#13;
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