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                <text>Donia Lita Kadenas de Xul Solari; Nistra Dinra kuidra&#13;
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29,2 x 38,8 cm</text>
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                <text>Firma e inscripciones&#13;
i.i. “X”; e.i.i. “1172”&#13;
Inscripciones de terceros&#13;
En el reverso: “DONIA/ LITA KADENAS DE XUL SOLARI/&#13;
NISTRA DINRA KUIDRA/ DEL PAN KLU DE BAIRES”&#13;
[MCSS]; “464” [MRC].&#13;
Documentación&#13;
Inv. FPK: “464 Donia Lita Cadenas - - 29 x 39”.</text>
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                <text>Donia Lita Cadenas, 1962&#13;
Témpera y tinta sobre papel montado sobre cartulina&#13;
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                <text>Firma e inscripciones&#13;
s.d. “X.”; c.d.a. “[Taller].”; i.d. “1962.”; c.i. “[Río Luján].”;&#13;
i.i. “1176.”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre la cartulina: “DONIA LITA CADENAS&#13;
DE XUL SOLAR/ BONA NEN BAIRES KUIDRA/ 1962,&#13;
témpera, 28 x 38, diap. D 254” [MCSS]; “469.” [MRC].&#13;
Obras relacionadas&#13;
Véase Observaciones&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01 - 05]: listado I, n. 254.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 18.&#13;
Inv. FPK: “469 Donia Lita Cadenas 1962 témpera 28 x&#13;
38 cm”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I a III y V: caja I, n. 254.&#13;
Observaciones&#13;
Para las obras relacionadas con Micaela Cadenas,&#13;
véase Observaciones a Lita nistra dinra (Cat. 1048).</text>
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a.i.d. “X. 1918”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “910 Dos 1918 acuarela&#13;
15 x 15”.&#13;
Exposiciones&#13;
Vasos comunicantes: vanguardias&#13;
latinoamericanas y Europa. 1900-1950,&#13;
Segovia, Museo de Arte Contemporáneo&#13;
Esteban Vicente, 2006-2007,&#13;
reprod. p. 78.</text>
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                <text>Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo&#13;
Xul Solar, 1990, reprod. p. 15.&#13;
Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation&#13;
- Xul Solar Museum, 1990, reprod. p. 15.&#13;
AMBROSINI, Silvia de, “Xul Solar y sus enigmas pictóricos”, Artinf, Buenos Aires, a. 17,&#13;
n. 85, primavera 1993, p. 14-16, reprod. byn p. 16.&#13;
GUTIÉRREZ ZALDÍVAR, Ignacio, El arte de los argentinos: Xul Solar, Buenos Aires,&#13;
Atlántida, 2009, reprod. p. 22.</text>
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Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1365 Dos 1926 témpera 16 x 12”.</text>
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a.i.i. “11 XUL”; i.i. “1955”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre la cartulina: “(64) DOS AMIGAS&#13;
NUESTRAS, 1955, 17 x 22, tinta” [MCSS]; “270” [MRC].&#13;
Documentación&#13;
Inv. FPK: “270 DOS AMIGAS NUESTRAS 1955 -″-&#13;
17 x 22”.&#13;
Exposiciones&#13;
Emilio Pettoruti y Xul Solar. Nuevo mundo, Buenos Aires, Galería Del Infinito, 13 de noviembre de 2024 al 31 de enero de 2025.</text>
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&#13;
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Micaela Cadenas de Schulz Solari, [Listado diapositivas Caja I, II, III, IV y V; “Lista diap. del Museo de Bellas Artes (Svanascini) [1963]”; y papeles sueltos [01 - 05]: Listado II, n. 128; listado V, n. 82&#13;
Micaela Cadenas de Schulz Solari, [Exposiciones 1920-1951, detalle de carpetas de obras, gastos 1949, cuadros existentes], [Buenos Aires]; 1949-1966: p. 200, 201, 237 y 242.&#13;
Micaela Cadenas de Schulz Solari, [Documentos relativos a exposiciones, venta de obras, coleccionistas]: 1963-1984: n. [011], [017], [018], [027], [028], [030] y [051].&#13;
Micaela Cadenas de Schulz Solari, “Muestras póstumas de A. Xul Solar”, [Buenos Aires]: 1963-1984: p. 11, 26 y 33.&#13;
Micaela Cadenas de Schulz Solari, [Diapositivas y movimientos de obras], [Buenos Aires]: 1964-1983; “Diapositivas de Xul Solar”: p. 2 y 12.&#13;
Micaela Cadenas de Schulz Solari, [Detalle de carpetas de obras], [Buenos Aires]: posterior a 1963, p. 2 y 8.&#13;
Inv. FPK: "49 Dos Anjos 1915 27 x 36 acuarela"&#13;
Fotografia:&#13;
Diapositivas de obras realizadas por encargo de Micaela Cadenas de Schulz Solari, 1967, cajas I-III y V: caja II, n. 128, caja V, n. 82.&#13;
&#13;
Homenaje a Xul Solar: acuarelas, témperas, óleos, Buenos Aires, Galería Candilejas, 3 al 31 de mayo de 1965, n. 1&#13;
Homenaje a Xul Solar, La Plata, Museo Provincial de Bellas Artes, 17 de julio - 11 de agosto de 1968.&#13;
Art from Argentina: Argentina 1920-1994, Oxford, The Museum of Modern Art, 1994; Sudwestdeutsche Landesbank, 1995; Londres, Royal College or Art Galleries, 1995; Lisboa, Fundação das Descobertas/Centro Cultural de Belém, 1995; Buenos Aires, Centro Cultural Borges, 1995, n. 72.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, reprod. p. [9].&#13;
Versiones del Sur: heterotopías, medio siglo sin-lugar 1916-1968, Madrid, Museo Nacional Centro de Arte Reina Sofía, 12 de diciembre de 2000-26 de marzo de 2001, reprod. p. [120]&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina Sofía, 2002, n. 2, reprod. p. 78.&#13;
Artistas modernos rioplatenses en Europa 1911/1914. La experiencia de la vanguardia, Buenos Aires, Malba - Colección Costantini, 17 de octubre de 2002 al 27 de enero de 2003, n. 76, reprod. p. 66.&#13;
Xul Solar : visiones y revelaciones, Buenos Aires, Malba - Colección Costantini, 17 de junio al 15 de agosto, 2005; San Pablo, Pinacoteca do Estado de São Paulo, 24 de septiembre al 30 de diciembre, 2005; Houston, The Museum of Fine Arts, enero a abril, 2006; México DF, Museo Tamayo de Arte Contemporáneo, mayo a agosto, 2006, n. 6, reprod. p. 94&#13;
Xul Solar: Panactivista, Buenos Aires, Museo Nacional de Bellas Artes, 7 de marzo al 18 de junio de 2017, reprod. p. [129], Detalle [121].&#13;
Notas&#13;
En el caso de Dos anjos (1915), la obra tiene que haber sido firmada posteriormente a 1915, ya que Xul Solar estableció esta grafía para su nombre en noviembre de 1920. Al detenernos en Anjos (1915), obra que se encuentra relacionada con esta obra estilística y temáticamente, la firma utilizada conserva el apellido original del artista, en letras cursivas.&#13;
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                <text>Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 1990, reprod. p.12.&#13;
Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation - Xul Solar Museum, 1990, reprod. p.12.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba/Bunge y Born, 1994, n. 4, reprod. p. 20.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos Aires, Alba / Bunge y Born; Nueva York, Harry N. Abrams, Inc., Publishers, 1996, n. 4, reprod. p. 20.&#13;
FÈVRE, Fermín, Xul Solar, Buenos Aires, Bifronte, El Ateneo, 2000, reprod. p. 22.&#13;
BORGES, Jorge Luis, “Recuerdos de mi amigo Xul Solar”, Arte y Parte. Revista de Arte España, Portugal e Iberoamérica, Santander, España, n. 37, febrero-marzo, 2002, p. 42-56, reprod. p. 42..&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, n. 3, reprod. p. 36.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, n. 3, reprod. p. 36.&#13;
SÁNCHEZ, Julio, “Xul Solar”, Arte al Día Internacional, Miami, n. 110, septiembre de 2005, p. 85-87, reprod. p. 85.&#13;
GUTIERRÉZ ZALDÍVAR, Ignacio, El arte de los argentinos: Xul Solar, Buenos Aires, Atlántida, 2009, reprod. p. 15.&#13;
Homenaje a Xul Solar, Proa en las artes y en las letras, Buenos Aires, n. 37, septiembre-octubre de 1998, reprod. p. 82.&#13;
A.A.V.V., Xul Solar, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2018, reprod. p. 49&#13;
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Documentación&#13;
Inv. FPK: “1300 Dos Caras 1921 acuarela 10,5 x 20,5”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Galería Rubbers, 2 al 30 de&#13;
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LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, reprod. p. 63.</text>
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En el reverso, sobre la cartulina: “(64) DOS CARAS,&#13;
1955, 17 x 22, tinta” [MCSS]; “268” [MRC].&#13;
Documentación&#13;
Inv. FPK: “268 DOS CARAS 1955 -″- 17 x 22”.&#13;
Exposiciones&#13;
Emilio Pettoruti y Xul Solar. Nuevo mundo, Buenos Aires, Galería Del Infinito, 13 de noviembre de 2024 al 31 de enero de 2025.</text>
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Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Paul Klee invita a Xul Solar en el Museo Nacional de&#13;
Bellas Artes, Buenos Aires, Museo Nacional de Bellas&#13;
Artes, 1999, reprod. p. 14.</text>
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                <text>Xul Solar. Colección de obras del museo, Buenos Aires,&#13;
Fundación Pan Klub - Museo Xul Solar, 1990, reprod.&#13;
p. 59.&#13;
Xul Solar. Collection of the Art Works in the Museum,&#13;
Buenos Aires, Pan Klub Foundation - Xul Solar Museum,&#13;
1990, reprod. p. 59.</text>
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Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 54.&#13;
Inv. FPK: “Dos Dragos 1920 acuarela 14 x 21,5 cm”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 30.&#13;
Paul Klee invita a Xul Solar en el Museo Nacional de&#13;
Bellas Artes, Buenos Aires, Museo Nacional de Bellas&#13;
Artes, 1999, reprod. p. 24.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 21, reprod. p. 95.&#13;
Observaciones&#13;
En el reverso del enmarcado actual de la obra: etiqueta&#13;
pegada “Certificado de autenticidad”, de Galería&#13;
Rubbers, firmada por Natalio J. Povarché; además&#13;
de una etiqueta del MNBA (1998) y dos etiquetas de&#13;
Delmiro Méndez e Hijo.</text>
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Inscripciones de terceros&#13;
Sin información, véase Observaciones.&#13;
Documentación&#13;
Inv. FPK: “287 Dos kioskos en plaza 1955 -″- 17 x 22”.&#13;
Exposiciones&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 59.&#13;
Observaciones&#13;
Para el estado actual del reverso, véase Observaciones a Cat. 1343.&#13;
En el reverso, sobre el segundo cartón: “CAT. 59/ INV.&#13;
287” [MRC?].</text>
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En el reverso, sobre el cartón: “(85) DOS MAN PAJAROS,&#13;
1955, 17 x 22, tinta” [MCSS]; “289” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Dos man pájaros, en Cuaderno&#13;
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Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja III, n. [141] [fuera de listado].</text>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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Acuarela y gouache sobre papel&#13;
montado sobre cartulina&#13;
15 x 20 cm</text>
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                <text>Firma e inscripciones&#13;
i.i. “ Xul 1923”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1148 Dos man plantas 1923 -″- 15 x 21”.&#13;
Alfonso Pons Soler, Antecedentes de Dos man plantas,&#13;
Carpeta de antecedentes 11, folio 06, AD-FPK.&#13;
Exposiciones&#13;
¿Fuera del centro?: arte argentino en las colecciones&#13;
venezolanas, Caracas, Museo de Bellas Artes, septiembre,&#13;
1995, n. 67, reprod. byn, p. 26.&#13;
Alejandro Xul Solar (1887-1963), New York, Rachel Adler&#13;
Gallery, 2 de mayo - 8 de junio de 1991.&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuales del&#13;
Mercosur, Buenos Aires, Fundación Banco Patricios,&#13;
31 de julio - 23 de agosto de 1997.&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuais do Mercosul,&#13;
Porto Alegre¸ Fundacão Bienal de Artes Visuais&#13;
do Mercosul, 2 de octubre - 30 de noviembre de 1997.&#13;
Absorció y teatralitat, Barcelona, MACBA, 2006.&#13;
Presentació de la Col-lecció, Barcelona, MACBA, 2010-&#13;
2011.&#13;
Observaciones&#13;
Entre sus antecedentes aportados en copia por Alfonso&#13;
Pons Soler en el AD-FPK, la obra cuenta con una&#13;
factura emitida a Brondesbury Holdings, Ltd. datada&#13;
en 1991 y con un certificado de autenticidad firmado&#13;
por Natalio J. Povarché del mismo año.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="51686">
                <text>Colección MACBA - Fundació Museu d’Art Contemporani&#13;
de Barcelona&#13;
Depósito Colección Alfonso Pons Soler</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51687">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
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            <elementTextContainer>
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                <text>Dos mestizos de avión y gente</text>
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              <elementText elementTextId="53454">
                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
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                <text>1935</text>
              </elementText>
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            <elementTextContainer>
              <elementText elementTextId="53456">
                <text>Dos mestizos de avión y gente, 1935&#13;
Lápices de colores sobre papel&#13;
montado sobre cartón&#13;
17,6 x 22,2 cm</text>
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          <element elementId="43">
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            <elementTextContainer>
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            <elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="53461">
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          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
i.d. “III”; a.i.d. “1935”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Obras relacionadas&#13;
Mestizos de avión y gente, (Cat. 775)&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado I, n. 228.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [34] y [37].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 40, 49 y 58 bis.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983: “Diapositivas de Xul Solar”, p. 17;&#13;
[Ventas a coleccionistas], p. 5.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja I, n. 228.&#13;
Anónimo, reproducción de Dos mestizos de avión y&#13;
gente, 1977, copia de época, gelatina de plata, 9 x 10,&#13;
Copias de época posteriores a 1963 (Musée d’Art Moderne,&#13;
París, 1977), FO-24/1 a 63, n. 33, AD-FPK.&#13;
Exposiciones&#13;
Xul Solar: acuarelas y témperas, Buenos Aires, Galería&#13;
Rubbers, mayo de 1975, n. 29 [fuera de catálogo].&#13;
Xul Solar 1887-1963, París, Musée d’Art Moderne de la&#13;
Ville de Paris, 20 de octubre-27 de noviembre de 1977,&#13;
n. 33, reprod. byn.&#13;
Xul Solar: obras 1919/1962, Buenos Aires, Galería Rubbers,&#13;
mayo-junio, 1978, n. 33, reprod. byn.&#13;
I Bienal Latino Americana de São Paulo, Parque Ibirapuera,&#13;
noviembre-diciembre, 1978.&#13;
Xul Solar: A Collector’s Vision, Nueva York, Rachel Adler&#13;
Gallery, 1° de mayo - 30 de junio de 1993, n. 15.&#13;
La Colección Costantini en el Museo Nacional de Bellas&#13;
Artes, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
1996, reprod. p. 93.&#13;
A Coleção Costantini no Museu de Arte Moderna de São&#13;
Paulo, San Pablo, Museu de Arte Moderna de São Paulo,&#13;
1998, reprod. p. 127.&#13;
A Coleção Costantini no Museu de Arte Moderna do Rio&#13;
de Janeiro, Rio de Janeiro, Museu de Arte Moderna do&#13;
Rio de Janeiro, 1998, reprod. p. 171.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="53463">
                <text>GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 121, reprod. p. 160.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 121, reprod. p. 160.&#13;
La Nación, revista, Buenos Aires, n. 480, 17 de septiembre&#13;
de 1978, reprod. p. 12.&#13;
ARTUNDO, Patricia M., “Dos mestizos de avión y gente”&#13;
en: PACHECO, Marcelo E. (ed.), Obras Malba - Colección&#13;
Costantini, Buenos Aires, Malba - Colección&#13;
Costantini, 2001, reprod. p. 109.&#13;
Malba para educadores, Área de Educación y Acción&#13;
Cultural, Buenos Aires, Banco Galicia y Malba-Fundación&#13;
Costantini, 2007, reprod.&#13;
MACHAIN FRANCO, Marina, “A visão da cidade futura&#13;
em dois tempos, fição e espiritualidade em Vuel Villa”,&#13;
Anais do V Congresso Brasileiro de Hispanistas,&#13;
Belo Horizonte, Universidade Federal de Minas Gerais,&#13;
2008, p. 1673-1682.&#13;
KEFALA, Eleni, “Xul Solar the Reluctant Utopian”, Bulletin&#13;
of Spanish Studies: Hispanic Studies and Researches&#13;
on Spain, Portugal and Latin America, Escocia,&#13;
University of Saint Andrews, v. 89, n. 2, febrero, 2012,&#13;
p. 253-279.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="53464">
                <text>Malba - Fundación Costantini, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="53465">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="55995">
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          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="55996">
                <text>Xul Solar, Alejandro, 1887-1963</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="55997">
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              </elementText>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="55998">
                <text>Dos pupas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55999">
                <text>Dos muñecas, 1953&#13;
Óleo sobre vidrio&#13;
24 x 34,5 cm, marco 32 x 39,5 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="56000">
                <text>AXS_02330</text>
              </elementText>
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          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="56001">
                <text>Número de catálogo razonado: 0936</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="56002">
                <text>pinturas</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="56003">
                <text>pintura</text>
              </elementText>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="56004">
                <text>pintura</text>
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          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
i.d. “Xul” y “1953”&#13;
Documentación&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 63 [con el título Dos pupas], 120&#13;
y 207.&#13;
Registro fotográfico histórico&#13;
Anónimo, reproducción de Dos muñecas, gelatina de&#13;
plata, copia de época, 8,5 x 11,5 cm, Serie Fotografías&#13;
de obras, FO-22/1a 7, n. 06 y 07, AD-FPK.&#13;
Anónimo, reproducción de Dos muñecas, negativo 35&#13;
mm byn, n. 1730, AD-FPK.&#13;
Exposiciones&#13;
Pinties y dibujos: A. Xul Solar, Buenos Aires, Sala V,&#13;
Galería Van Riel, 22 de septiembre - 7 de octubre de&#13;
1953, n. 34.&#13;
Surrealismo imaginación, Buenos Aires, Galería Serra,&#13;
23 de septiembre-23 de octubre de 1964, [con el título&#13;
Doble imagen y como perteneciente a Raúl Soldi].&#13;
Posibilidades de la figuración, Buenos Aires, Museo de&#13;
Arte Moderno, 12 de marzo al 6 de abril de 1986.&#13;
La figuración, Buenos Aires, Concejo Deliberante, organizada&#13;
por el Museo de Arte Moderno, 1° al 19 de&#13;
septiembre de 1986.&#13;
Cuando la figuración, Museo de Arte Moderno, Buenos&#13;
Aires, 3 de agosto al 3 de septiembre 1989.&#13;
Subastas&#13;
Remate de una muy importante colección privada de&#13;
pintura argentina y uruguaya, Bullrich Arte y Antigüedades,&#13;
Buenos Aires, remate especial, 6 y 7 de julio,&#13;
1970, lote 73.&#13;
Notas&#13;
La obra fue adquirida durante su exposición en la&#13;
Sala V por Estela Gaetán de Soldi y estuvo en su poder&#13;
y de su marido Raúl Soldi hasta que fue subastada&#13;
en 1970. En esa subasta ella fue adquirida –junto&#13;
a Pan tree (Cat. 987)– por el Museo de Arte Moderno&#13;
de Buenos Aires, en ese momento dirigido por Hugo&#13;
Parpagnoli. Debe recordarse que Parpagnoli dirigió,&#13;
asimismo, la colección Argentina en el Arte que entre&#13;
sus cuarenta y cinco fascículos incluyó uno dedicado&#13;
a Xul Solar (situación de privilegio que solo compartieron&#13;
Prilidiano Puyrredón, Sesostris Vitullo, Lucio&#13;
Fontana y Alicia Penalba), que fue confiado a Aldo&#13;
Pellegrini, una de las figuras clave en la difusión de&#13;
la obra del artista durante la segunda mitad de la década&#13;
de 1960.</text>
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          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="56006">
                <text>TAVERNA YRIGOYEN, Jorge [i.e. Jorge López Anaya],&#13;
Pintores argentinos del siglo XX. Xul Solar, Buenos Aires,&#13;
CEAL, n. 27, 1980, reprod. lámina VII.</text>
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i.d. “Xul.” y “1924”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”; y&#13;
papeles sueltos [01-05]: listado II, n. 64.&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires]; 1949-1966, p. 200, 202 y 240.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas]: 1963-1984, p. [015], [018],&#13;
[026], [028] y [030].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires]: 1963-1984, p. 27 y 33.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963: p. 3 y 9.&#13;
Inv. FPK: “29 DOS PAREJAS 1924 27 1/2 x 35 acuarela”.&#13;
Registro fotográfico histórico&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V, caja II, n. 64.&#13;
Anónimo, reproducción de Dos parejas, 1970, copia&#13;
de época, gelatina de plata, 11,5 x 17,5 cm, Copias&#13;
de época posteriores a 1963 (Retrospectiva Rubbers&#13;
1970), FO-25/1 a 19, n. 01, AD-FPK.&#13;
Anónimo, reproducción de Dos parejas, 1970, copia&#13;
de época, gelatina de plata, 17,4 x 22 cm, Copias de&#13;
época posteriores a 1963 (Retrospectiva Rubbers&#13;
1970), FO-25/1 a 19, n. 10, AD-FPK.&#13;
Exposiciones&#13;
Homenaje a Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, octubre de 1963.&#13;
Xul Solar, Buenos Aires, Proar, 23 de agosto - 11 de&#13;
septiembre de 1965.&#13;
Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial&#13;
de Bellas Artes Rosa Galisteo de Rodríguez, noviembre&#13;
de 1967.&#13;
Xul Solar: retrospectiva: obras 1915-1962, Buenos Aires,&#13;
Galería Rubbers, 19 de mayo-6 de junio de 1970.&#13;
Xul Solar. El sol herido, Málaga, Palacio Episcopal, 5 de&#13;
junio - 5 de julio de 1998 / Sevilla, Centro Andaluz de&#13;
Arte Contemporáneo, julio - agosto de 1998, reprod.&#13;
p. 39.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
ArteBA 02. 11 Feria de arte contemporáneo, Buenos&#13;
Aires, La Rural, Rubbers, julio, 2002.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, reprod. p. 116.&#13;
Vasos comunicantes: vanguardias latinoamericanas y&#13;
Europa. 1900-1950, Segovia, Museo de Arte Contemporáneo&#13;
Esteban Vicente, 2006-2007, reprod. p. 121.</text>
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                <text>Xul Solar. Colección de obras del museo, Buenos Aires,&#13;
Fundación Pan Klub - Museo Xul Solar, 1990, reprod.&#13;
p. 63.&#13;
Xul Solar. Collection of the Art Works in the Museum,&#13;
Buenos Aires, Pan Klub Foundation - Xul Solar Museum,&#13;
1990, reprod. p. 63.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born, 1994, n. 84, reprod. p. 105.&#13;
GRADOWCZYK, Mario H., Alejandro Xul Solar, Buenos&#13;
Aires, Alba / Bunge y Born; Nueva York, Harry N.&#13;
Abrams, Inc., Publishers, 1996, n. 84, reprod. p. 105.&#13;
FÈVRE, Fermín, Xul Solar, Buenos Aires, Bifronte, El&#13;
Ateneo, 2000, reprod. p. 31.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista,&#13;
Buenos Aires, Fundación Pan Klub - Museo Xul&#13;
Solar, 2002, n. 76, reprod, p. 98.&#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia,&#13;
Buenos Aires, Pan Klub Foundation - Museo Xul Solar,&#13;
2002, n. 76, reprod, p. 98.&#13;
GUTIERRÉZ ZALDÍVAR, Ignacio, El arte de los argentinos:&#13;
Xul Solar, Buenos Aires, Atlántida, 2009, reprod.&#13;
p. 29.&#13;
SVANASCINI, Osvaldo, Poemas con Xul Solar, Buenos&#13;
Aires, 2005, p. 18-19. [Inédito]</text>
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Inscripciones de terceros&#13;
En el reverso, sobre el cartón: “(78) DOS PUPAS,&#13;
1955, 17 x 22 tinta” [MCSS]; “282” [MRC].&#13;
Documentación&#13;
Inv. FPK: “282 Dos Pupas 1955 -″- 17 x 22”.</text>
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Documentación&#13;
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Aires], 1963-1984: p. 54&#13;
Exposiciones&#13;
Alejandro Xul Solar (1887-1963), Maldonado, Uruguay, Museo de Arte Americano de Maldonado, 20 de enero - 3 de febrero de 1990, reprod. s.p.&#13;
Xul Solar: the Architectures, Londres, Courtauld Institute Galleries, 1994, n. 29, lámina 2.&#13;
Xul Solar - J.L. Borges: Língua e Imagem, Rio de Janeiro, Centro Cultural Banco do Brasil, 2 de octubre - 11 de enero de 1997; San Pablo, Fundacão Memorial da América Latina, 23 de enero - 1° de marzo de 1998 [fuera de catálogo].&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes, septiembre de 1998, [n. 70�]. </text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46965">
                <text>Drago, 1920&#13;
Acuarela sobre papel montado sobre cartulina&#13;
14 x 21 cm, montaje 17,5 x 24 cm&#13;
</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="46966">
                <text>AXS_01766</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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              <elementText elementTextId="46967">
                <text>Número de catálogo razonado: 0364</text>
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            <description>The nature or genre of the resource</description>
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                <text>pinturas</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pintura</text>
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          <element elementId="79">
            <name>Medium</name>
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                <text>pintura</text>
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            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
a.i.d. “X. 1920”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1183 Drago 1920 Témpera 14 x 21”.&#13;
Registro fotográfico histórico&#13;
Lil García Benítez de Kramer, reproducción de Drago,&#13;
1996, gelatina de plata, copia de época, 10 x 15 cm,&#13;
Serie Fotografías, FO-29/ 1 a 37, n. 36, AD-FPK.&#13;
Exposiciones&#13;
Oscar Alejandro Agustín Schulz Solari: Xul Solar 1887-&#13;
1963, Madrid, Guillermo de Osma Galería, 13 de febrero&#13;
- 3 de abril de 1993, n. 5, reprod. p. 7.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 20, reprod. p. 94.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="46972">
                <text>Colección Guillermo de Osma, Madrid</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46973">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="52727">
                <text>Drago</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="52728">
                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="52729">
                <text>1927</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="52730">
                <text>Drago, 1927&#13;
Acuarela, gouache y tinta sobre papel&#13;
[originalmente montado sobre cartón]&#13;
25,5 x 32 cm</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="52731">
                <text>AXS_02097</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="52732">
                <text>Número de catálogo razonado: 0703</text>
              </elementText>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="52733">
                <text>pinturas</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="52734">
                <text>pintura</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="52735">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="71">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="52736">
                <text>Firma e inscripciones&#13;
i.d. “Xul”; i.d. “1927”&#13;
Inscripciones de terceros&#13;
En el reverso, sobre el cartón: etiqueta [retirada] “Comisión&#13;
Municipal de Bellas Artes de Rosario/ Obra&#13;
expuesta en el Nuevo Salón/ Año 1929” con sello de&#13;
la Comisión y firma [ilegible] de su presidente; en la&#13;
etiqueta “Drago/ Xul Solar” [MRC].&#13;
Obras relacionadas&#13;
Mundo, (Cat. 665)&#13;
Documentación&#13;
MCSS, [Listado diapositivas Caja I, II, III, IV y V; “Lista&#13;
diap. del Museo de Bellas Artes (Svanascini) [1963]”;&#13;
y papeles sueltos [01 - 05]: listado II, n. 55; listado IV,&#13;
n. 91; listado V, n. 80; “Lista diap. del Museo de Bellas&#13;
Artes (Svanascini) [1963]”, n. 305&#13;
MCSS, [Exposiciones 1920-1951, detalle de carpetas&#13;
de obras, gastos 1949, cuadros existentes], [Buenos&#13;
Aires], 1949-1966: p. 201, 240, 243.&#13;
MCSS, [Documentos relativos a exposiciones, venta&#13;
de obras, coleccionistas], 1963-1984: n. [008], [012],&#13;
[016], [017], [018], [026], [028], [030] y [051].&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 7, 11, 18, 22, 27, 33 y 38.&#13;
MCSS, [Diapositivas y movimientos de obras], [Buenos&#13;
Aires], 1964-1983, “Diapositivas de Xul Solar”: p. 4 y 8.&#13;
MCSS, [Detalle de carpetas de obras], [Buenos Aires],&#13;
posterior a 1963, p. 4, 10.&#13;
Inv. FPK: “2 Drago 1927 25 1/2 x 32 acuarela”.&#13;
Etiqueta despegada del reverso cartón retirado que&#13;
actuaba como soporte de Drago, en Conjunto de cartones&#13;
y etiquetas retirados entre 1997 y 2001, n. 11,&#13;
AD-FPK.&#13;
Registro fotográfico histórico&#13;
Xul Solar, III Bienal Americana de Arte, Córdoba, FILMEdiciones&#13;
Valero, 1966, [díptico con 9 diapositivas&#13;
de obras], n. [177].&#13;
Diapositivas de obras realizadas por encargo de MCSS,&#13;
1967, cajas I-III y V: caja II, n. 55, caja V, n. 80.&#13;
Exposiciones&#13;
Nuevo Salón. Año primero, Buenos Aires, Amigos del&#13;
Arte, septiembre de 1929.&#13;
Nuevo Salón. Año primero, Rosario, Comisión Municipal&#13;
de Bellas Artes, 1929.&#13;
Nuevo Salón. Año primero, La Plata, Asociación de las&#13;
Artes, Museo Provincial de Bellas Artes, 1929-1930.&#13;
Homenaje a Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, octubre de 1963, n. 23&#13;
Homenaje a Xul Solar: acuarelas, témperas, óleos,&#13;
Buenos Aires, Galería Candilejas, 3 al 31 de mayo de&#13;
1965, n. 7.&#13;
III Bienal Americana de Arte. Exposición homenaje a&#13;
Xul Solar, Córdoba, Museo Provincial de Bellas Artes&#13;
Emilio Caraffa, octubre de 1966, n. 14.&#13;
Xul Solar: obras 1915/1962, Santa Fe, Museo Provincial&#13;
de Bellas Artes Rosa Galisteo de Rodríguez, noviembre&#13;
de 1967, n. 19.&#13;
Homenaje a Xul Solar, La Plata, Museo Provincial de&#13;
Bellas Artes, 17 de julio - 11 de agosto de 1968, n. 24.&#13;
Xul Solar: retrospectiva: obras 1915-1962, Buenos Aires,&#13;
Galería Rubbers, 19 de mayo-6 de junio de 1970,&#13;
n. 11.&#13;
A 45 años del Nuevo Salón de Amigos del Arte, Buenos&#13;
Aires, Vermeer Galería de Arte, agosto de 1974.&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuais do Mercosul,&#13;
Porto Alegre¸ Fundacão Bienal de Artes Visuais&#13;
do Mercosul, 2 de octubre - 30 de noviembre de 1997,&#13;
reprod. p. [23].&#13;
Xul Solar (1887-1963). I Bienal de Artes Visuales del&#13;
Mercosur, Porto Alegre, Buenos Aires, Fundación&#13;
Banco Patricios, 31 de julio - 23 de agosto de 1997,&#13;
reprod. en tapa.&#13;
Cuatro aspectos de la pintura argentina contemporánea:&#13;
Xul Solar. Deira Noé Seguí De la Vega. Bonevardi&#13;
Hlito Puente. García Herce Warck Meister Young, Madrid,&#13;
Pabellón Latinoamericano. ARCO 97/Fondo Nacional&#13;
de las Artes, 1997, reprod. p. [23].&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 65.&#13;
Versiones del Sur: heterotopías, medio siglo sin-lugar&#13;
1916-1968, Madrid, Museo Nacional Centro de Arte&#13;
Reina Sofía, 12 de diciembre de 2000-26 de marzo de&#13;
2001, reprod. p. 142.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 62, reprod. 134.&#13;
ArteBA 02. 11 Feria de arte contemporáneo, Buenos&#13;
Aires, La Rural, Rubbers, julio, 2002.&#13;
Inverted Utopias. Avant-Garde Art in Latin America,&#13;
Houston, The Museum of Fine Arts, 20 de junio-20 de&#13;
septiembre, 2004, n. 8, reprod. p. 24&#13;
Xul Solar: visiones y revelaciones, Buenos Aires; San&#13;
Pablo; Houston; México DF, 2005-2006, n. 59, reprod.&#13;
p. 116.&#13;
Pinta. The Contemporary Latin American Art Fair, New&#13;
York, Museo Xul Solar, Metropolitan Pavilion, 16 al 20&#13;
de noviembre de 2007.&#13;
Realidad y utopía: 200 años de arte argentino: una visión&#13;
desde el presente, Berlín, Akademie der Künste, 2&#13;
de octubre al 14 de noviembre de 2010, reprod. p. 105.&#13;
Imágenes e historias. Argentina 1848-2010, Buenos&#13;
Aires, Centro Cultural Recoleta, Fundación Mapfre,&#13;
marzo-abril 2011, reprod. p. 28.&#13;
RANGEL, Gabriela (ed.), Xul Solar and Jorge Luis Borges:&#13;
The Art of Friendship, Nueva York, America Society&#13;
Art Gallery / Phoenix Art Museum, del 18 de abril&#13;
al 20 de julio; 21 de septiembre al 31 de diciembre,&#13;
2013, reprod. p. 103.&#13;
Xul Solar, Olavarría, Museo Dámaso Arce, 19 de abril&#13;
- 14 de junio, 2015.</text>
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          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="52737">
                <text>SVANASCINI, Osvaldo, Xul Solar, Buenos Aires, Ediciones&#13;
Culturales Argentinas, 1962. [i.e. 1963], reprod.&#13;
byn.&#13;
Xul Solar. Colección de obras del museo, Buenos Aires,&#13;
Fundación Pan Klub - Museo Xul Solar, 1990, reprod.&#13;
p. 65.&#13;
Xul Solar. Collection of the Art Works in the Museum,&#13;
Buenos Aires, Pan Klub Foundation - Xul Solar Museum,&#13;
1990, reprod. p. 65.</text>
              </elementText>
            </elementTextContainer>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="52738">
                <text>Museo Xul Solar, Buenos Aires</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="52739">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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