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                <text>Xul Solar, Alejandro (1887-1963)</text>
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                <text>Escena</text>
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            <name>Creator</name>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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                <text> [1920] </text>
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                <text>Escena 3</text>
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                <text>Escena, [1920]&#13;
Acuarela y gouache sobre papel&#13;
15 x 21 cm</text>
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            <name>Identifier</name>
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                <text>AXS_01759</text>
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            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
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                <text>Número de catálogo razonado: 0357</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Inscripciones de terceros&#13;
En el reverso: “36 - ESCENA (3) 1920” [MCSS]; “318” [MRC].&#13;
Documentación&#13;
Inv. FPK: “318 Escena (3) 1920 -″- 21 x 15”.&#13;
Observaciones&#13;
Esta pintura presenta la misma iconografía que la identificada también con el título de Escena (Cat. 355), comparte además las mismas medidas, pero se diferencia en tanto la imagen se presenta invertida, es decir en espejo. Es probable, entonces, que al igual que en otros casos documentados, se trate de una copia de la anterior, ya que si bien ambas presentan tratamiento con gouache para dar los blancos, en la catalogada aquí, pareciera tratarse de correcciones y su función ser más la de ocultar que la de iluminar..</text>
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            <name>Is Part Of</name>
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                <text>Fundación Pan Klub, Buenos Aires</text>
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            <name>Rights Holder</name>
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                <text>Fundación Pan Klub - Museo Xul Solar</text>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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                <text>Sin título</text>
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text> [1920]&#13;
</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Due guardie della montagne; Venecia</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="46879">
                <text>Sin título, [1920]&#13;
Acuarela sobre papel&#13;
15,1 x 21,3 cm&#13;
</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>AXS_01760</text>
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          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="46881">
                <text>Número de catálogo razonado: 0358</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>pinturas</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pintura</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>pintura</text>
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            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Inscripciones de terceros&#13;
En el reverso: “635.” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Sin título, en Carnet de apuntes 01, [1920], AD-FPK.&#13;
Inv. FPK: “635 S/T. - - 15 x 21”.&#13;
Exposiciones&#13;
[Settima Esposizione. Mostra Personale dello Scultore Arturo Martini e del Pittore Alessandro&#13;
Xul Solari, Galleria Arte, Milán, 27 de noviembre - 16 de diciembre de 1920,&#13;
n. 15].&#13;
Notas&#13;
Al considerar el tema representado y en particular las dos figuras que se sitúan la parte inferior de la obra, hemos propuesto como hipótesis que esta sea aquella expuesta en Milán en 1920, con el título Due guardie della montagne. Sin embargo, debido a que la pintura no está firmada, algo que Xul hizo con la mayoría de las obras que participaron de esa exposición, solo lo dejamos planteado como  posibilidad.&#13;
Para su datación, véase Notas a Penitentes (Cat. 359).</text>
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                <text>Fundación Pan Klub, Buenos Aires</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Fundación Pan Klub - Museo Xul Solar</text>
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            <name>Provenance</name>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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                <text>Penitentes&#13;
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                <text>Xul Solar, Alejandro, 1887-1963</text>
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            <description>Date of creation of the resource.</description>
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                <text> [1920]</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46893">
                <text>Penitentes, [1920]&#13;
Acuarela y gouache sobre papel montado sobre cartulina&#13;
15,5 x 15,5 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="46894">
                <text>AXS_01761</text>
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          </element>
          <element elementId="87">
            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="46895">
                <text>Número de catálogo razonado: 0359</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>pinturas</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46897">
                <text>pintura</text>
              </elementText>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46898">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
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            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>Firma e inscripciones&#13;
i.d. “Xul”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Obras relacionadas&#13;
Sin título, (Cat. 436); Sin título, (Cat. 437); Sin título,&#13;
(Cat. 438); Sin título, (Cat. 439); Sin título, (Cat. 1593);&#13;
Sin título, (Cat. 1592); Sin título, (Cat. 1587); Sin título,&#13;
(Cat. 1590); Sin título, (Cat. 1588); Sin título, (Cat.&#13;
1589 a); Sin título, (Cat. 1598 b) y Sin título (Cat. 1591).&#13;
Documentación&#13;
AXS, primera idea para Penitentes, en Carnet de apuntes&#13;
n. 1, [1920], AD-FPK.&#13;
Inv. FPK: “903 Penitentes 1917 acuarela 15 1/2 x 15 1/2”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998.&#13;
Notas&#13;
Aun cuando el Carnet de apuntes referenciado no&#13;
está datado, sin embargo, no existen dudas para asignarle&#13;
1920 como el año durante el cual Xul trabajó en&#13;
él. Esto se debe a su mención a la Bienal de Venecia&#13;
y a Boris Grigorief, y a la ciudad que la alberga, visita&#13;
que se sitúa durante el mes de junio de 1920. Al tener&#13;
esto en cuenta y conocer el primer apunte para Penitentes&#13;
resulta válido asignarle 1920 como año de ejecución&#13;
y desestimar el de 1917 según lo indicado en&#13;
el inventario de la FPK, que responde probablemente&#13;
a una inscripción de la viuda en su reverso pero que&#13;
no ha podido ser verificada. Por otra parte, al estar&#13;
firmada “Xul”, es probable que también haya sido expuesta&#13;
poco después en Milán, aunque con un título&#13;
que desconocemos.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="46900">
                <text>Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 1990, reprod. p. 55.&#13;
Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation - Xul Solar Museum, 1990, reprod. p. 55.&#13;
GUTIÉRREZ ZALDÍVAR, Ignacio, El arte de los argentinos: Xul Solar, Buenos Aires, Atlántida, 2009, reprod. p. 23.&#13;
A.A.V.V., Xul Solar, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2018, reprod. p. 58.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Museo Xul Solar, Buenos Aires</text>
              </elementText>
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          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46902">
                <text>Fundación Pan Klub - Museo Xul Solar</text>
              </elementText>
            </elementTextContainer>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Xul Solar, Alejandro (1887-1963)</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Sin título</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="46906">
                <text>Xul Solar, Alejandro, 1887-1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46907">
                <text> [1920?]</text>
              </elementText>
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          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="46908">
                <text>Ángel</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Sin título, [1920?]; 1930&#13;
Óleo sobre cartón&#13;
21,7 x 22,2 cm</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="46910">
                <text>AXS_01762</text>
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            <name>Audience Education Level</name>
            <description>A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended.</description>
            <elementTextContainer>
              <elementText elementTextId="46911">
                <text>Número de catálogo razonado: 0360</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46912">
                <text>pinturas</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="46913">
                <text>pintura</text>
              </elementText>
            </elementTextContainer>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>pintura</text>
              </elementText>
            </elementTextContainer>
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            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46915">
                <text>Firma e inscripciones&#13;
e.i.i “.Xul”; e.i.i. “1930”&#13;
Inscripciones de terceros&#13;
En el reverso: “ÁNGEL - o / 21,5 X 22 1930” [anónimo];&#13;
“22” [anónimo]; “1272” [anónimo] y “662” [anónimo].&#13;
Documentación&#13;
Inv. FPK: “1272 Ángel 1930 Oleo 22,5 x 22”.&#13;
Exposiciones&#13;
[Settima Esposizione. Mostra Personale dello Scultore&#13;
Arturo Martini e del Pittore Alessandro Xul Solari, Galleria&#13;
Arte, Milán, 27 de noviembre - 16 de diciembre&#13;
de 1920, n. 48.]&#13;
Notas&#13;
Por debajo de la firma puede verse otra firma preexistente.&#13;
Esta sobrescritura hace pensar que la obra&#13;
fue posdatada y/o intervenida por el artista en 1930.&#13;
Esto tiene sentido ya que por sus características estilísticas&#13;
se relaciona directamente con el conjunto de&#13;
óleos realizados a partir de 1918, como por ejemplo&#13;
Atavío (Cat. 208), y lo hace estilísticamente, por el tratamiento&#13;
de la pincelada y por la paleta empleada,&#13;
obras con las que comparte además casi las mismas&#13;
medidas, esto sin contar que la figura del arcángel&#13;
Gabriel es muy similar a la figura que aparece en el&#13;
primer plano de Atavío. Por otra parte, la arquitectura&#13;
representada en el lateral izquierdo de la pintura, se&#13;
relaciona directamente con las construcciones que&#13;
aparecen en otra obra –véase Cat. 356– y en un boceto&#13;
–Cat. 290– realizados probablemente durante su&#13;
estancia en Venecia en 1920. Asimismo, en su exposición&#13;
en Milán, con el n. 48, expuso un óleo titulado&#13;
Annunciazione, por lo que aquí hemos incluido dicha&#13;
exposición para plantear la posibilidad de que se trate&#13;
de la misma obra.</text>
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Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
AXS, primera idea para Pegaso del sol, en Carnet de&#13;
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Inv. FPK: “893 Pegaso del Sol 1922 acuarela&#13;
15 1/2 x 21”.&#13;
Exposiciones&#13;
Settima Esposizione. Mostra Personale dello Scultore&#13;
Arturo Martini e del Pittore Alessandro Xul Solari, Galleria&#13;
Arte, Milán, 27 de noviembre - 16 de diciembre&#13;
de 1920, n. 40 [Il Pegaso solare].&#13;
Cuatro aspectos de la pintura argentina contemporánea:&#13;
Xul Solar. Deira Noé Seguí De la Vega. Bonevardi&#13;
Hlito Puente. García Herce Warck Meister Young, Madrid,&#13;
Pabellón Latinoamericano. ARCO 97/Fondo Nacional&#13;
de las Artes, 1997.&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
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                <text>Xul Solar. Colección de obras del museo, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 1990, reprod. p. 56.&#13;
Xul Solar. Collection of the Art Works in the Museum, Buenos Aires, Pan Klub Foundation - Xul Solar Museum, 1990, reprod. p. 56.&#13;
FÈVRE, Fermín, Xul Solar, Buenos Aires, Bifronte, El Ateneo, 2000, reprod. p. 36.&#13;
BORGES, Jorge Luis, “Recuerdos de mi amigo Xul Solar”, Arte y Parte. Revista de Arte España, Portugal e Iberoamérica, Santander, España, n. 37, febrero-marzo, 2002, p. 42-56, reprod. p. 44.&#13;
A.A.V.V., Xul Solar, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2018, reprod. p. 60.</text>
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Inscripciones de terceros&#13;
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[MRC].&#13;
Documentación&#13;
Inv. FPK: “1401 Mui bien te pensamos 1920 acuarela&#13;
12 x 12”.</text>
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Inv. FPK: “1380 La Kasa Maldita 1920 acuarela&#13;
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                <text>GUTIÉRREZ ZALDIVAR, Ignacio, 200 años de arte: vanguardias, Buenos Aires, Presidencia de la Nación, Gente, 21 de septiembre de 2010, reprod. p. 45.</text>
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a.i.d. “X. 1920”&#13;
Inscripciones de terceros&#13;
Sin información&#13;
Documentación&#13;
Inv. FPK: “1183 Drago 1920 Témpera 14 x 21”.&#13;
Registro fotográfico histórico&#13;
Lil García Benítez de Kramer, reproducción de Drago,&#13;
1996, gelatina de plata, copia de época, 10 x 15 cm,&#13;
Serie Fotografías, FO-29/ 1 a 37, n. 36, AD-FPK.&#13;
Exposiciones&#13;
Oscar Alejandro Agustín Schulz Solari: Xul Solar 1887-&#13;
1963, Madrid, Guillermo de Osma Galería, 13 de febrero&#13;
- 3 de abril de 1993, n. 5, reprod. p. 7.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 20, reprod. p. 94.</text>
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Inscripciones de terceros&#13;
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Documentación&#13;
MCSS, “Muestras póstumas de A. Xul Solar”, [Buenos&#13;
Aires], 1963-1984: p. 54.&#13;
Inv. FPK: “Dos Dragos 1920 acuarela 14 x 21,5 cm”.&#13;
Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional de Bellas Artes,&#13;
septiembre de 1998, reprod. p. 30.&#13;
Paul Klee invita a Xul Solar en el Museo Nacional de&#13;
Bellas Artes, Buenos Aires, Museo Nacional de Bellas&#13;
Artes, 1999, reprod. p. 24.&#13;
Xul Solar, Madrid, Museo Nacional Centro de Arte Reina&#13;
Sofía, 2002, n. 21, reprod. p. 95.&#13;
Observaciones&#13;
En el reverso del enmarcado actual de la obra: etiqueta&#13;
pegada “Certificado de autenticidad”, de Galería&#13;
Rubbers, firmada por Natalio J. Povarché; además&#13;
de una etiqueta del MNBA (1998) y dos etiquetas de&#13;
Delmiro Méndez e Hijo.</text>
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Inscripciones de terceros&#13;
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“373” [MRC].&#13;
Documentación&#13;
AXS, primera idea para Sin título, en Carnet de apuntes&#13;
n. 1, [1920], AD-FPK.&#13;
Inv. FPK: “373 -″- …resolverá bien c. 1919 -″-&#13;
91/2 x 9 1/2”.</text>
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Sin información&#13;
Documentación&#13;
Inv. FPK: “411 -″- - - 12 x 12”.&#13;
Notas&#13;
La obra presenta un simbolismo complejo ya que incorpora&#13;
la esvástica dextroversa que genera un movimiento&#13;
que replica el cuerpo en sus extremidades.&#13;
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extremos […] La interpretación más generalizada, ya&#13;
en la Edad Media, es que corresponde al movimiento&#13;
y la fuerza solar […]” (p. 200). Estos son algunos&#13;
de los significados que más se pueden relacionar&#13;
con Xul, sin embargo, su significación es múltiple y&#13;
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religiosos. Al respecto, véase por ejemplo, el libro de&#13;
Blavatsky citado.</text>
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                <text>LÓPEZ ANAYA, Jorge, Xul Solar: una utopía espiritualista, Buenos Aires, Fundación Pan Klub - Museo Xul Solar, 2002, reprod. p. 72. &#13;
LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, reprod. p. 72.&#13;
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Art d’Amérique Latine, Christie’s, París, 10 de junio, 2004, lote 10, reprod. p. 23.&#13;
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Documentación&#13;
Inv. FPK: “1881 hacia la dicha 1919 acuarela 16 x 10,5”.</text>
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Firma e inscripciones&#13;
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Documentación&#13;
Inv. FPK: “1169 Tota pax… 1919 -″-&#13;
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Exposiciones&#13;
Xul Solar, Buenos Aires, Museo Nacional&#13;
de Bellas Artes, septiembre de&#13;
1998, reprod. p. [17].&#13;
Xul Solar, Buenos Aires, Galería Rubbers,&#13;
2 al 30 de abril, 2002.&#13;
ArteBA 07. 16 Feria de arte contemporáneo,&#13;
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LÓPEZ ANAYA, Jorge, Xul Solar: A Spiritualistic Utopia, Buenos Aires, Fundación Pan Klub Foundation - Museo Xul Solar, 2002, n. 19, reprod. p. 49.&#13;
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Inscripciones de terceros&#13;
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Inv. FPK: “1170 Asurso Axension 1919&#13;
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